Law, Roger, b 1941 (Artist)
Dates
- Existence: b 1941
Gender
- male
Occupations
Places
- Littleport, Cambridgeshire (Place of Birth)
Found in 156 Collections and/or Records:
East Anglian Magazine, 1960 - 1962
Edward Hopper, 1957 - 1972
Eggcups, 1982 - 1988
A set of nine ceramic eggcups modelled by Luck & Flaw, which bear caricature faces of the following British politicians and members of the royal family: Margaret Thatcher, Neil Kinnock, Queen Elizabeth II, Prince Philip, Prince Andrew, Sarah Ferguson, two copies of a baby Prince William, and a baby Princess Beatrice. All eggcups have a white glossy finish.
Esquire, 1969 - 1975
Exploitation 1900-1962, c 1962
A large cartoon mural containing a felt-tip pen and coloured crayon illustration, which features eight men in various attire, mostly in dinner jackets, with the final two individuals staring at a television. On the far left side of the drawing, there is a caption that reads, 'physical exploitation.' On the other side of the illustration there is another caption, which reads, 'cultural exploitation' (RL/Pre-/1479).
Eyes for Plasticine Models, c 1975-c 1983
A box of 10 blown glass eyes that were used as part of various Luck & Flaw plasticine model illustrations. The manufacturer of the eyes is unknown.
Ffobia, 1959 - 1960
Fleet Street Monsters, c 1962
A large mural that is a collage comprised of newspaper cuttings from various British national newspapers and magazines (RL/Pre-/1475).
Frank Sinatra Printing Block, 1967
French Bomber, c 1962
A large mural containing a felt-tip pen and coloured crayon illustration, which comments on the bombings committed by the far-right French paramilitary/terrorist group, Organisation Armée Secrète (OAS). The OAS attempted to prevent Algeria's independence from France, and targeted those who supported the Algerian National Liberation Front, including the attempted assassination of President Charles de Gaulle (RL/Pre-/1488).
Frères Séeberger, 1974
General Advertisements and Posters, 1975-c 1983
Glass Negatives, 1965 - 1967
Granta, 1964
Granta, 1961 - 1964
Illustrations of Political and Royal Figures, c 1956-c 1961
Invoice Duplicate Book, 1982
A Gundulph invoice/statement duplicate book, which contains copies of invoices for orders of Luck & Flaw's Prince Charles [afterwards King Charles III]/Princess Diana/baby Prince William eggcup set. These orders were dealt with between 31 July and 25 September 1982. Some of the orders also include the purchase of the Margaret Thatcher teapot and other items.
Jan Carew Play Script, c 1963
A 31-page typescript copy of a play script written by Jan Carew, titled, No Gown for Peter. Carew incorporated into the play the experiences of Roger Law and Peter Fluck, who both waited tables at Trinity College, while studying at Cambridge School of Art.
Carew shared a house with Law, Fluck, their respective wives, and Richard Fletcher and his family at the beginning of the 1960s.
Jazz Meets Poetry, 1961
A hardboard woodcut that contains a poster design for a 'Jazz Meets Poetry' event to be held at the Cambridge Masonic Hall, on 9 March 1961. The poster features a large circle, and is accompanied by a list of performers (RL/Pre-/1457; wrongly numbered on item as 1144).
Large Transparencies, 1968 - 1975
Letters from Julian Allen and Joan Steiner to Roger Law and Deirdre Amsden, 1974
Letters to Jean Amsden, c 1959-c 1967
Letters to Winnie Law, 1958-03-29 - 1958-12-23
Liberal/Labour, c 1962
A large mural containing a felt-tip pen and coloured crayon illustration, which also includes pictures taken from newspapers. The artwork features representations of various Liberal/Labour political figures, along with individuals associated with liberalism, including Bertrand Russell and Michael Foot (RL/Pre-/1482).
Listerine Posters, 1980
A visifile containing seven advertisements for the mouthwash product, Listerine, which feature Luck & Flaw plasticine model illustrations. These advertisements were made to be displayed on London Underground trains, and were commissioned by the advertising company, J. Walter Thompson. The photographic images of the illustrations were taken by John Lawrence Jones (L&F/270-276).
There are several copies of each advertisement.