Law, Roger, b 1941 (Artist)
Dates
- Existence: b 1941
Gender
- male
Occupations
Places
- Littleport, Cambridgeshire (Place of Birth)
Found in 156 Collections and/or Records:
Prince Charles Loving Cups, 1981
Two copies of a Prince Charles [afterwards King Charles III] loving cup, which was modelled by Luck & Flaw in 1981, as memorabilia for the royal wedding between Charles and Lady Diana Spencer. Both loving cups have a white glossy finish. However, the finish on one of the cups has a darker/slight green tinge.
The manufacturer of the loving cups is likely Gill Wing Ceramics.
Private Eye Posters, 1981
Professional Correspondence, 1970, 1974
Promotional Material, 1977 - 1983
Publicity Bundle, 1979 - 1983
Publicity Material, 1980 - 1983
Queen, 1963
Queen, 1962 - 1965
Radio Times, 1976 - 1982
Radio Times, 1969, 1973
Reference Negatives, 1961 - 1968
Richard Ingrams Toby Jug, 1982
A 'Lord Gnome' toby jug in the shape of Richard Ingrams, editor of the satirical magazine, Private Eye. This jug was produced as a piece of limited edition merchandise for the publication's 21st anniversary. The item was modelled by Luck & Flaw, and manufactured by Audley Porcelain.
Roche Rock, c early 1960s
A hardboard woodcut that contains a print design, which was used in promotional material by the oil company, Shell. The print design features a representation of Roche Rock, which is an outcrop near the town of St. Austell, Cornwall. The image was used in a calendar and in magazine advertisements (RL/Pre-/881).
Roger Law Archive
Scripts, Photographs and other Items, 1946, 1954, 1962, 1967 - 1968, 1975
Silver, Levene & Company Papers, 1987 - 1989
Sir Roy Welensky - The Whole Hog, c 1962
Two versions of 'The Whole Hog' mural, both of which feature woodcut portrait prints of the former Prime Minister of the Federation of Rhodesia and Nyasaland, Sir Roland 'Roy' Welensky. Across the murals, Welensky morphs from a man into a warthog. These prints were originally published in the 10 April 1962 issue of the magazine, Queen (RL/Pre-/817 and 818). It is unknown which one of the two murals was actually displayed at The Establishment nightclub.
Small and Medium Transparencies, c early 1960s-c mid 1970s
Stern, 1976 - 1981
Storyboard and Set Drawings, 1967
A large visifile that contains a mixture of storyboard, design and set drawings for the puppet film, The Milkman: A Satire on Capitalism. The storyboard and design drawings are in pencil and coloured crayon, and the set design drawings are in pencil, accompanied by annotations in pen (RL/Pre-/781 (a)-(h)).
Striptease, c 1962
A large cartoon strip mural, which is drawn in felt-tip pen and coloured crayon. The mural depicts a man, initially clothed in full military regalia, strip down until the individual is completely nude, with the exception of a medal covering his genitalia (RL/Pre-/994).
Synthetic Fun, 1967
Textile Print Sample, c 1958-c 1960
A piece of cloth that has a printed design by Roger Law. The print was produced while Law was studying at the Cambridge School of Art.
The 12 Days of Christmas, c 1962
A large mural, which comes in two parts, containing a felt-tip pen and coloured crayon illustration. The drawings present on the mural accompany the lyrics to the festive song, The 12 Days of Christmas. There appears to be a third part missing for this mural, as those present only represent days 1 to 6 and 11 to 12 (RL/Pre-/1486).