Scope and Contents A box containing four sub-files, which hold photographic material connected to the Roger Law/Spitting Image Productions Limited book, A Nasty Piece of Work: The Art and Graft of Spitting Image, which was published in November 1992. The following are present:1. A bundle of four black and white photographs from the 1960s: a photo of Roger Law, Peter Fluck, Deirdre Amsden and others by the Scarborough shore, 1960; a group photo of the aforementioned with...

Scope and Contents A box containing issues of various publications, along with proofs and tearsheets from other outlets, all of which feature illustrations by Roger Law. The following items are present:1. March-April 1972 (Vol. 2 No. 2) issue of the American literary journal, Audience, which features a plasticine model illustration on pages 38-39 (RL/Pre-/939). 2. November 1973 issue of the Dutch magazine, Avenue, which features a...

Scope and Contents Two boxes containing manuscript and typescript letters, memoranda and postcards addressed to Roger Law, along with a small amount of accompanying material, which mostly concern his professional activities and relationships between 1961 and 1975. There are also copies of letters and memoranda sent by Law to various individuals. Also present are a few letters addressed to Law's wife, Deirdre Amsden.The first box covers the years 1961 to 1969. Topics include, but are not limited to:...

Scope and Contents A large piece of artwork produced by Roger Law at Cambridge School of Art, drawn on newsprint paper with felt-tip pen and coloured with watercolour paint. The artwork is split into four sections: part 'A' is a cartoon drawing of one of Law's school tutors, Paul Hogarth (RL/Pre/859 (a)); part 'B' is a cartoon drawing of another school tutor, Bobby Hunt (RL/Pre-/859 (b)); and part 'C' is a cartoon drawing of a boy and a dog (RL/Pre-/859 (c)). Section 'D' of this artwork is a continuous cartoon...

Scope and Contents From the Series:

Seven short stories were individually published as Clarion Tales in 1996. The texts were set in Monotype hot metal and printed offset from reproduction proofs. A further 5 stories (subseries B8-B12 here) were planned and worked on but never issued. Further correspondence involving the designer George Mackie and the series editor Giles Gordon will be found in subseries D1.