A full length studio portrait of Chief Uo dressed in ceremonial skirts. Uo was a friend of Robert Louis Stevenson.

Contains Kodachromes, processed in England March 1963, arranged by processing number. The village mentioned on slides 21-31 appears to be Sabadrau, but this has not been found on any map of Fiji and has been represented by 'S' in most of the captions.

154 x 208 mm. A view looking along the tiled corridor, with busts placed at intervals along the walls.

200 x 150 mm. A photograph taken from the hillside, looking across a cultivated valley. Pencilled caption on reverse reads 'view from James Shelley's farm, showing Upper Freestone, with Mr Sturb as prominent landmark.' [Figure standing on hill].

200 x 150 mm. A photograph taken from the hillside, looking across a cultivated valley. Pencilled caption on reverse reads 'view from James Shelley's farm, showing Upper Freestone, with Mr Sturb as prominent landmark.' [Figure standing on hill].

274 x 350 mm. A view of a pool on the river, with cows drinking. The banks are lined with tall dense woodland.

A scenic picture looking down on to the river, where cows are drinking. With heavily wooded ground on the banks.

272 x 210 mm. View of a handsome row of six three storey terrace houses in Upper William Street, probably constructed in the 1840s. The verandahs, supported on cast-iron work run through both the ground and first floor and on the upper storey are supplied with curtains which can be drawn across for additional shade.

193 x 247 mm. A view of a section of the bridge from underneath, showing one of the outer supporting piers, composed of two joined iron cylinders, and set into the rock face at the edge of the gully. These lattice bridges started to appear on the railways in the early 1870's.

157 x 96 mm. A view looking along Urara bridge.

278 x 185 mm. Information given states '2 spans of 125 feet each, 4 approach spans, total length 390 feet'. A side view of an attractive lattice bridge over a gully or dry riverbed. Constructed in iron with iron supporting piers.

A coloured view looking across a pool of water towards the bungalow, with an American flag flying on a mast in front of the building. Print number 37.

A view showing the three wrecked ships in Apia harbour after the 1889 hurricane. The loss of these ships highlights the chaos of the storm; in the overcrowded harbour ships battered each other uncontrollably. 43 men died from the ‘Vandalia’, only one from ‘Trenton’.

83 x 55 mm. An amateur snapshot showing the home of Robert Louis Stevenson. The name in Samoan means ‘place of five streams’, although in fact there were only four.

195 x 135 mm. The building on the left, which Robert Louis Stevenson moved into in 1890, was the original Vailima. The building at the right, which eventually became larger than the first house, was added in 1893. The enclosed portion of the upstairs verandah was his workshop and library.

280 x 225 mm. A view from a hilltop, looking down into the valley. Richmond lies west of Sydney near the Hawkesbury River.

204 x 161 mm. A view from the settlement in Morses Creek looking over the rooftops of the small holdings, and along the valley to the mountains in the distance.

190 x 140 mm. A view in the river valley, surrounded by trees, and with mountains in the distance.

285 x 225 mm. A view along the Grose River, surrounded by trees, with mountains beyond. With two figures posing by the river. The Grose valley lies in the Blue Mountains.

Painting only.

350 x 274 mm. A view looking down on to a fenced outcrop of rock, beyond which stretches the heavily wooded Jamieson valley. The Three Sisters Rocks can be seen in the distance.

A studio portrait of Vau in elaborately decorated clothes. Vau was the daughter of Chief Seumanutafa, a great friend of Robert Louis Stevenson. Print number 45.