Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Nothing is known of the provenance of this collection of lantern slides and glass plates. The images likely were created to illustrate lectures given at the RCS.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Telegrams and minutes relating to intelligence on German and Italian forces in North Africa.Contents originally removed on grounds of national security and deposited in Cabinet Office on 30 Jul 1963, but returned to file in February 2000.

Printed reviews of the naval, military and air situation, including: the evacuation of Dunkirk [France]; minelaying and minesweeping; Scandinavia; Italy; the Balkans; air defence; air attacks on Germany and Britain; losses of shipping; the Western Front; the Mediterranean; the North Sea; enemy naval intelligence; the French fleet; Africa; the German and Italian Air Forces.

Printed reviews of the naval, military and air situation, including: home waters; the Mediterranean; attacks on shipping; enemy shipping; minelaying; minesweeping; Germany; the Middle East; Africa; air defence; air attacks on Germany and Italy; enemy intelligence; the Balkans; home security; economic warfare; Italy; the North Sea; the United States; the Soviet Union.

Printed reviews of the naval, military and air situation, including: home waters; the Mediterranean; enemy intelligence; shipping losses; enemy shipping; minelaying and minesweeping; Germany; the Balkans; the Middle East; air attacks on enemy territory; air attacks on Britain; Italy; Africa; air intelligence; home security.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.