Telegrams from Major-General Sir Claude Auchinleck [Commander-in-Chief, Middle East] to WSC advising all tanks unloaded; on Libyan Desert battle, Crusader [codename for major British operation in North Africa]; morale good.

Telegrams from Major-General Sir Claude Auchinleck [Commander-in-Chief, Middle East] to WSC on battle in Libyan desert, Crusader [codename for major British operation in North Africa]; resuming offensive.

Telegram from Major-General Sir Claude Auchinleck [Commander-in-Chief, Middle East] to WSC on battle in Libyan desert, Crusader [codename for major British operation in North Africa]; Italian prisoners, and tanks.

Telegram from Major-General Sir Claude Auchinleck [Commander-in-Chief, Middle East] to WSC on battle in Libyan desert, Crusader [codename for major British operation in North Africa]; enemy manoeuvres; troop deployment.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 205 x 265 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page. None of these have captions, but they include one statue in Biskra.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.

Measuring 195 x 255 mm, this album contains sepia photographs 145 x 90 mm in size, two to a page, followed by 26 blank spaces. They are mainly of rural and urban scenes in North Africa. The only one captioned shows Timgad.