Scope and Contents

Swaine provides the note: 'Now called A. leiocarpus.'

Scope and Contents

The caption on the reverse reads: 'An Ashanti Priest, Gold Coast. A fetish priest with the regalia of his office, including the 'doso' or kilt of palm leaf fibre'.

Scope and Contents

The caption on the reverse reads: 'Ashanti Drummer with Talking Drums, Gold Coast. With these drums the people of Ashanti, through the medium of a tonic language, are able to transmit messages over long distances through the forests'.

Scope and Contents

'No. 147' printed on bottom right corner.

Scope and Contents

The caption on the reverse reads: 'Ashanti Potters, Gold Coast. All the pottery used for domestic purposes is made by the women and without the aid of the Potter's wheel. Specimens of Ashanti pottery can be seen and purchased in the Gold Coast Building at Wembley'.

Scope and Contents

The annotation on the negative envelope reads 'Slate shows future tense of verb to go'. The negative envelope is numbered '44'.

Scope and Contents

The negative envelope is numbered '34'.

Scope and Contents The caption on the reverse reads: 'Ashanti Weavers, Gold Coast. Examples of the Ashanti Weavers' Art are on sale at Wembley where craftsmen may be seen at work on the curious looms depicted hereon'.Guggisberg stated: 'From Coomassie running up the long red motor-road we plunge into real native customs in the pictures painted at Mampong. Two of the most striking pictures are the types of priest and drummer, the former with the background of harmattan mist in the great forest. The...

Scope and Contents

'No. 89' printed on bottom right corner.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents

'No. 23' printed on bottom left corner.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents

The negative envelope is numbered '59'.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents From the Fonds:

Many images of woodland and logging scenes. The original numbering of the images has been followed.

Scope and Contents

76 x 93 mm. A view showing deep scarring caused by overtapping with African gouges ('a very common sight').

Scope and Contents

77 x 94 mm. A view showing a rubber tree with raised scars along the tapping lines of a tree 'an occasional result of deep excision tapping with native gouge'.