191 x 124 mm. This is presumably the point at which Church Street East crosses the Apies River.

286 x 223 mm. A view looking along the road and railway line leading into the Hex River Valley, with the Hex Rivierberge mountains in the background.

189 x 142 mm. A view looking along Church Street East, Pretoria, towards Church Square from the Apies River near Lion Bridge. On the left is a watermill and barn and on the right the house built for Stephanus Meintjes by Landdrost Andries du Toit in the 1850s. Information from ‘Centenary Album. Pretoria’s First century in Illustration’ (Pretoria, 1952).

A collection of nine (of an original eleven) loose prints measuring approximately 150 x 110 mm. with pencilled captions on the reverse. The captions have been used as titles and have been recorded as found. The majority of the prints show views on the Kloof Road which runs out from West Cape Town and round the Lion's Head. Photographs are possibly by C.F. Wienand.

Material relating to the family's travel, and Hugh Le Fleming's return to Britain in 1941:

Hugh Le Fleming's permit to leave South Africa in Apr. 1941; two Canadian Pacific Steamship brochures and menu; a FMS railway ticket; a brochure and passenger list for the P&O ship ‘Carthage’; and a truck ticket.

70 x 80 mm. Half tone illustration cut from The Times. Richard Philip (Dick) King, (1813-1871) was a pioneer in Natal who acquired the sobriquet 'Saviour of Natal' in 1842 when he rode to Grahamstown to obtain help for the garrison under Captain Smith, besieged by the Boers near Congella. Annotated in the top left hand corner: 'Times April 17 sent by HFW'.

Collection of monochrome postcards (one card missing from original set of twelve).

Contains slides including a group of seven interiors of Marnham's house taken in August 1968, three showing servants in February 1968 and one of the visit of the Mayor for the celebration of the Queen's birthday on 20 April 1968. The majority show the garden, from scenes in April 1967 to seven transparencies making up a panorama taken on the eve of departure in March 1970. In between these are extensive views both of individual clumps of flowers and more general scenes.

The majority of these were taken in the north of the province; at Magoebaskoof (two visits); Tzaneen (including a sequence showing sisal growing and processing); Vendaland in the extreme north and a few coming south to Orhigstad and Graskop. A group taken at Mala Mala camp is assumed to be in the Transvaal, though the precise location has not been found. The section concludes with a visit to a fishing lodge at Dulstroom in December 1969.

The majority of these were taken in the north of the province; at Magoebaskoof (two visits); Tzaneen (including a sequence showing sisal growing and processing); Vendaland in the extreme north and a few coming south to Orhigstad and Graskop. A group taken at Mala Mala camp is assumed to be in the Transvaal, though the precise location has not been found. The section concludes with a visit to a fishing lodge at Dulstroom in December 1969.

The majority of these were taken in the north of the province; at Magoebaskoof (two visits); Tzaneen (including a sequence showing sisal growing and processing); Vendaland in the extreme north and a few coming south to Orhigstad and Graskop. A group taken at Mala Mala camp is assumed to be in the Transvaal, though the precise location has not been found. The section concludes with a visit to a fishing lodge at Dulstroom in December 1969.

206 x 150 mm. A view looking across a field planted out with fruit trees towards lines of wooden houses.

205 x 153 mm. Showing the façade of the Exchange buildings between Adderley Street and St. George's Street, with a crowd of pedestrians and pony traps on the pavement and roadway in the foreground.

190 x 135 mm. A view from the garden showing a family group posed on the verandah of a corrugated iron roofed bungalow in The Berea, Durban's residential district. Seated in the deckchair is Charles Lewis Redwood. The woman seated near him is probably his wife, Olivia Elizabeth Redwood (née Lys). The two other men in the photograph are unidentified.

197 x 132 mm. Showing a family group with Zulu servants outside the bungalow 'Fairleigh'. At the centre of the group are Charles Redwood and his wife. The young man and the three children (two boys, possibly twins, and a girl) in the group are unidentified.

A series of watercolours commissioned from the Rhodesian artist Mrs Gilbert Stephenson to be used in colouring lantern slides to illustrate the fifth handbook, A.J. Sargent, 'South Africa: seven lectures (London, 1914). Stephenson had been recommended by the British South Africa Company.

Collection of monochrome postcards

99 x 72 mm. Showing the coral described displayed among other varieties in a glass case in the South African Museum in Cape Town.

200 x 132 mm. Showing a group of boys and girls in fancy dress posed against a hedge, with a building in the background. With a few adults at the side of the group.

152 x 102 mm. A view looking across a field towards the 'house of the late Mr K Prinsloo' on the left and the 'school and teacher's quarters' on the right) (identifications on reverse of print).

A commercially published collection of prints housed in a folder. The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of the collection's creation. Unless otherwise stated the prints measure 95 x 70 mm.

191 x 126 mm. Showing miners at work shifting boulders excavated from the trenches on Ferreira's mine. The Ferreira Gold Mining Company and the Ferreira Deep were named after Colonel Ignatius P. Ferreira (1840-1921) who had laid out Ferreira's Camp in 1886 and was one of the leaders of the early diggers. These two mines were among the most successful on the Wittwatersrand. Whitehead's Mine can just be made out on the horizon.

197 x 151 mm. Showing an European farmer and an African youth standing in a field of Lucerne (Alfalfa).