174 x 88 mm. Showing a single male ostrich (from which the plumage is gathered) in a field.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

A view from the Sea Walk showing surf breaking on the shore.

Collection of loose monochrome gravure postcards of Potchefstroom. Originally part of the Fisher collection. Captions have been recorded as found and may contain offensive, inappropriate or outdated terms. They have been retained to reflect the context of the collection's creation.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

The caption reads, 'His sister Nina is on his left hand and to her left is the great Medicine Doctor. In the centre are some of his young daughters. Taken at the time, at the entrance of Lo Ben’s [Lonbengula's] private residence, with the white people looking on'.

The caption reads, 'The walls are built of hewn stone. There was an inner fort surrounded by a high wall when in a perfect state, both enclosures are full of large trees and it is not seen until well within the outer enclosure and would be mistaken for a [offensive word not transcribed] Kraal. The trees are omitted as it would be impossible to see the ruins if they were shown. Taken in 1877. The outer wall 110 feet square, the inner wall 35 feet square' [historic caption].

Water colours and pen and ink sketches documenting Anderson's travels in southern Africa, accompanied by his original captions and explanatory notes. The original titles and captions have been enclosed in single quotation marks, and have been transcribed in the catalogue as found, with the exception of an egregiously offensive term used in some titles, which has not been transcribed. Where possible, modern place names have been supplied.

Collection of loose monochrome gravure postcards of Potchefstroom. Originally part of the Fisher collection. Captions have been recorded as found and may contain offensive, inappropriate or outdated terms. They have been retained to reflect the context of the collection's creation.

Water colours and pen and ink sketches documenting Anderson's travels in southern Africa, accompanied by his original captions and explanatory notes. The original titles and captions have been enclosed in single quotation marks, and have been transcribed in the catalogue as found, with the exception of an egregiously offensive term used in some titles, which has not been transcribed. Where possible, modern place names have been supplied.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

Water colours and pen and ink sketches documenting Anderson's travels in southern Africa, accompanied by his original captions and explanatory notes. The original titles and captions have been enclosed in single quotation marks, and have been transcribed in the catalogue as found, with the exception of an egregiously offensive term used in some titles, which has not been transcribed. Where possible, modern place names have been supplied.

203 x 152 mm. A view looking across a field of young vines towards the main vineyard buildings and homestead.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

The print is initialled 'SA'.

80 x 100 mm. A professional photograph. Annotated by Amy Wilson: 'It is lovely to see this sort of person taking a 3rd class ticket for the train just in these clothes'.

150 x 202 mm. The caption continues: 'These are handed down from mother to daughter, and are used to wrap the baby in. They are made of hide and ornamented with brass studs and beads. Note the married woman's skin skirt and headdress'.

192 x 139 mm. Showing an Amanguba circumcision dance with a row of youths dressed in grass skirts, their heads concealed by grass hats and their bodies painted white. All carry sticks in their right hands.

101 x 150 mm. The caption continues: 'showing large turnip like bulb partly out of ground (centre). The Bushman used to stick their arrows into this bulb, which has a very strong poison, and grows all about this bushveld country. 1950. Northern Transvaal.' The photographer is unknown. An identical photograph is held in an album in the Killie Campbell Africana Library under the reference Album d45/001-100 Album No. 1 Bushmen 29505 [BRN350578].

115 x 94 mm. Showing a Cape Government Railways steam locomotive pulling out of Cape Town station.