Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

Two prints, mounted on card stamped 'Hepburn and Jeanes' with captions which have been used as titles and recorded as found.

208 x 146 mm. Showing the four large boilers housed in a brick and corrugated-iron shed.

Print at RCMS 353/2/32.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

Showing a group of pioneers in the foreground with grazing oxen and wagons beyond. A forerunner of the British South Africa Company, The Bechuanaland Exploration Company was registered in 1888 to develop the mining concession granted to the Northern Goldfields Exploration Syndicate by Chief Khama of the Bamangwato the previous year. Exact location unknown, probably photographed either at Mafeking in May 1890 or during the trek through Bechuanaland to Macloutsie.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

Collection of original prints inserted in issues of the monthly magazine, and one separately mounted (Y3059J). The captions have been used as titles and may include language which is offensive, inaccurate or inappropriate. They have been retained to reflect the context of their creation. A list of photographs published in the magazine is on pages 259-262 of Marjorie Bull and Joseph Denfield's 'Secure the shadow', though it is not entirely complete.

A series of watercolours commissioned from the Rhodesian artist Mrs Gilbert Stephenson to be used in colouring lantern slides to illustrate the fifth handbook, A.J. Sargent, 'South Africa: seven lectures (London, 1914). Stephenson had been recommended by the British South Africa Company.

Showing the post cart in the road outside the Post Office, with an unidentified group, presumably post office employees, standing behind.

The caption reads 'The first newspaper at the Cape, published in 1800, was "The Cape Town Gazette and African Advertiser", which eventually became today's "Government Gazette"'.

Collection of loose monochrome gravure postcards of Potchefstroom. Originally part of the Fisher collection. Captions have been recorded as found and may contain offensive, inappropriate or outdated terms. They have been retained to reflect the context of the collection's creation.

55 x 81 mm. (oval print). A head and shoulders carte de visite portrait of Du Val in uniform.

56 x 92 mm. A full length carte de visite portrait showing Charles Du Val in uniform, holding a rifle and posed against a studio backdrop of palm trees and hill scenery.

The caption reads 'The first stone of the church in the Heerengracht (now Adderley Street), Cape Town, was laid in 1699'.

201 x 150 mm. A view looking down onto a curve in the Umkomaas River, with sheer cliffs topped by dense forest on the left hand bank.

137 x 86 mm. Monochrome post card (original print) dated in Bell's hand 'May 1916'.

321 x 185 mm. A view from the street showing the single storey flat roofed building, with two groups of men watching the photographer from the stoep, roofed in decorative ironwork. With Spandau Kop in the background. The Graaff Reinet club was established in 1876; the building seen here in Church Square which still serves as the clubs's premises, was built in 1881.