Scope and Contents Correspondence; notes on this item by Sebastian Carter; showings of the type (1935-1995); trial settings of Spenser, Epithalamium in this type (marked 'Ephithalamium - project'). Correspondents include Arnold Bank, Joseph Blumenthal, Christopher Bradshaw, Jackson Burke, Harry Carter, John Carter, Douglas Cleverdon, Marshall Davidson, Franz Hess (only copies of letters from Will Carter to him), Charles W. Hobson, John Holroyd-Reece, Ernest Ingham, Roger Levenson, Matt. P. Loman, Giovanni...

Scope and Contents

Copy (mostly typescript, including carbons, partly autograph manuscript) for a book by Will Carter with this title, including table of contents; dummy of 'experimental pages'; proofs of title 'Chancery italics' with various notes on italic writing books and showings of italic types; correspondence, some letters enclosing further specimens of type. Correspondents include Alfred Fairbank, Frederick. W. Goudy, Stanley Morison, Paul Standard. The book was never published.

Scope and Contents

With a copy of a letter from Charles Kingston Jr. to Morison; a tear sheet of an article 'An experiment at Whitby' by Standard in Jubilee magazine for May 1961; and a tear sheet from the New Yorker 5 Jan. 1963 containing an article about Standard.

Scope and Contents

These include Peter (unidentified; concerning verses of Hilaire Belloc); Wulstan Phillipson, Emrys Pride, Jack Pritchard, Aino Prytz, Beattie E. Ransome, Harold Riegelman, Max Reinhardt, S. Andrew Rigby, Ritty and Eve, Doris Robinson, W. N. Roughead, S. R. Shapiro, Olivia Sowerby, Albert Sperisen, Rawson F. Stagg, Paul Standard, Stella Standard, E. Raymond Streat.

Scope and Contents Typescript copy for the English translation by Paul Standard, title-page layout (with date 1947), correspondence. With a typescript by Will Carter (dated Dec. 1945) 'A rough draft of suggestions for a series of books to be grouped under the main title of Aspects of chancery cursive', of which this would be part of the first volume. Also with a prospectus for John Howard Benson's edition of the Operina (1954) and a letter (photocopy) of Will's letter to John Carter about this book. The book...

Scope and Contents John Dreyfus's files consisting principally of correspondence, but also clippings, examples of printing (if the person was a printer or engraver), compositions by the person, and in some cases Dreyfus's research notes and compositions relating to the person. Some files have the name of a press or other corporate body rather than a person. The contents of this series are as follows: Box 1 = Abacus Typographers, Olive F. Abbott, George Abrams, Elmer Adler, Alexander Alexieff, Greer Allen,...

Scope and Contents Letters of thanks for copies of Carter's broadside 'Sonnet Le bonheur de ce monde'. The letters were assembled by Paul Standard and sent to Carter in a portfolio, on the cover of which is inscribed: 'Collective thanks from the Typophiles of New York to Will Carter, esp. exacted at pistol-point during March,1940 by Paul Standard, M.A. With Paul Standard's letter to the Typophiles (mimeographed) and Will Carter's circular letter of thanks (lithographed) dated 26 Feb. 1941. Writers of letters...

Scope and Contents From the Series:

A few items include drafts or carbon copies of letters from Howe.

Scope and Contents

Letters to Will are dated 1937-1977; to Sebastian, 1957-1960. With printed material by and concerning Paul Standard (probably previously separated from the letters).

Scope and Contents

Includes correspondence between Warde and the typefounders P. Ribadeau Dumas and between him and H. W. Kent (1925-6); and correspondence between the Museum and Paul Standard and Will Carter (1941-61). With the letters are photocopies of printed articles about the Museum Press.

Scope and Contents

The letters are from Eric Ravilious (undated), Charles Ricketts (undated), Ludovic Rodo (1952), Bruce Rogers (1925, 1927), Noel Rooke (1952), M. H. Salaman (1953), Geoffrey Scott (1923), Frank Sidgwick (1923), Paul Standard (1944), H. V. Strong (1955), A. J. A. Symons (1930, 1940).

Scope and Contents The correspondents are Joan Allen, Michael Balcon, Alan Barlow, Nora Barlow, R. D. Best, Philip A. Burgoyne, Noel Carrington, John Carter, Bradbury Clarke, Will Carter, Hugh Casson, Barbara Coulter, Fenner Brockway, George Earle, Elisabeth Friedlander, John Gloag, R. Y. Goodden, Maggie Hobson, G. Wren Howard, Ernest Ingham, Donald S. Klopfer, John Langdon-Davies, Clem Leslie, Cynthia Lloyd, Madeline Lucas, Florence Eldridge March, Giovanni Mardersteig, Rauri McLean, Sarah Meynell, Thomas...

Scope and Contents

Folder 1 = correspondence. With the letters is a bookplate by Standard inscribed to Meynell and dated 1966 Folder 2 = 3 printed pamphlets by Standard, 2 inscribed to Meynell Folder 3 = 'Francis Meynell and the Nonesuch Press' (typescript carbon copy of 14 pages with ms. alterations), by Standard, marked 'N.Y. 16 Nov. 1966. with a tear-sheet from Printing News reporting on the talk.

Scope and Contents

Copy (various typescripts); layouts; title-page artwork; proof copies of 2 etchings, signed by Anthony Gross; proofs of single leaves, many corrected; publicity (copy and proofs of prospectuses, order form, and notice of an exhibition); correspondence with Will Carter. Correspondents include Douglas Cleverdon, Anthony Gross, Paul Standard, Stellar Press (W. J. Hummerstone).