Scope and Contents

Professional studio photograph of Alice Clara Forster wearing a dark dress with small lace ruff and looking to the right. Taken at Bournemouth and mounted on card, 10.2 x 6.2 (photograph 6.4 x 4.6). (Sleeve 4)

Scope and Contents

Professional studio photograph of Alice Clara Forster wearing a dark dress with small lace ruff, and brooch at neck. Head and shoulders, looking to the left. Taken at Clapham Common and mounted on card, 10.4 x 6.4 (photograph 9.3 x 6.1). Inscribed in album, by E.M. Forster, 'Mother'. (Sleeve 6)

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Professional studio photograph of Alice Clara Forster sitting in a carved high-backed chair, wearing a pale dress fringed at the shoulders, dark gloves, beads and a flat hat. Her hands are resting on a small table to her left, with two books on it. Taken in London and mounted on card, 10.2 x 6.2 (photograph 7.1 x 5.2). Inscribed in album and on back of photograph, by E.M. Forster, 'Mother'. (Sleeve 12)

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Professional studio photograph of Alice Clara Forster wearing conical earrings, a buttoned dress with a small lace ruffle under the collar. Head and shoulders, looking to the right in profile. Taken in London and mounted on gold-edged card, 10.2 x 6.2 (photograph 7.7 x 5.4). Inscribed in album, by E.M. Forster, 'Mother'. (Sleeve 15)

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Professional studio photograph of Alice Clara Forster wearing a flowered dress with a brooch at her neck. Head and shoulders, looking to the left in profile. Taken at Richmond and mounted on card, 16.7 x 10.7 (photograph 15 x 10.4). Inscribed on back, by E.M. Forster, 'Mother'. (Sleeve 17)

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Professional studio portrait of Achille Morgenroth, wearing a sailor suit, aged about 20 years old. Head and shoulders. Print, 13.9 x 9. Inscribed and signed on back, by Achille Morgenroth, 'Souvenire a Mon / Amie Morgan / Toulon le 22/6/30' and inscribed on back, by E.M. Forster, with name. (Sleeve 163)

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Professional studio portrait taken at Rugby and mounted on gold-edged card, 10.3 x 6.3. Inscribed on back, by Geoffrey Keynes, 'Alfred Brooke 1903'. (Sleeve 5)

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Professional studio portrait of Bill Burrell, head and shoulders, looking to the left, wearing a dark suit with white stripes and a striped tie. Possibly taken at Aldeburgh, Suffolk. Mounted on card, 27.8 x 20.1 (photograph 16.2 x 11.5. Inscribed on front, by Bill Burrell, 'To Morgan from Bill / 1952' and inscribed on back, by E.M. Forster, 'Bill Burrell, Aldeburgh'. (Sleeve 253)

Scope and Contents Professional studio portrait of Bob Buckingham, dressed as in EMF/27/547, standing with his back to the wall, head and shoulders, in full profile to the right. There is a picture on the further wall to the right. Taken in London. Print, 19.8 x 15.6. Inscribed on back, by E.M. Forster, '2 copies (1 to R.J.B.) / Can you 'shave' the cheek to the right of / the ear? Don't do this, however, if / it is going to spoil the surface. / Also there's an ugly little hump on the back of the / coat. Had...

Scope and Contents

Professional studio portrait of Bob Buckingham, posed as above but head turned to look to the left, face towards the camera, and the picture hanging on the wall to the right is more distinct. Taken in London. Print, 22 x 15.7. Inscribed on back of photograph, by E.M. Forster, 'Bob Buckingham' and on back of mount, '1934'. (Sleeve 195)

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Professional studio portrait of Bob Buckingham, as EMF/27/645 but not smiling, head partially turned to the right but looking towards the camera. Taken at New York. Print, 23.5 x 19.1. (Sleeve 240)

Scope and Contents

Professional studio portrait of Bob Buckingham, standing with his back to the wall, head and shoulders, in full profile to the right. There is a picture on the further wall to the right. Taken in London. Print, 18.7 x 13. (In Frame)

Scope and Contents Professional studio portrait of E.M. Forster sitting on the wooden trestle table seen in EMF/27/643-4 with his ?spectacles case in his hands, looking up and to the left at Bob Buckingham, who is standing slightly behind and to the left of E.M. Forster, wearing a spotted tie, with his right foot up on the trestle table and his right arm on his knee, looking down and to the right at E.M. Forster. Taken at New York. The photograph is annotated on the back: '1947 with Bob' in E.M. Forster's...

Scope and Contents

Professional studio photograph of Bob Buckingham as a young man. He is standing with his left hand in his trouser pocket, looking towards the camera. He is wearing a dark jacket, lighter trousers, pullover, and a handkerchief in his breast pocket. 3/4 length. Taken at London. Postcard, 13.8 x 9.7. Inscribed on back, by E.M. Forster, 'Bob Buckingham / in the 1920s'. Second line added in a different ink. (Sleeve 140)

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Professional studio portrait of Bob Buckingham, as EMF/27/647 but full length, not smiling and face in profile to the right. Taken at New York. Print, 23.3 x 19.1. (Sleeve 241)

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Professional studio portrait of Bob Buckingham, as above but 3/4 length. Taken at New York. Print, 23.5 x 19.1. (Sleeve 242)

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Professional studio portrait of Bob Buckingham, sitting sideways on the wooden trestle table seen in EMF/27/643-4, hands clasped round his knees, smiling to the camera, 3/4 length. Taken at New York. Print, 23.5 x 19.1. (Sleeve 239)

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Professional studio portrait of Bob Buckingham wearing a dark suit with thin white stripes and a spotted tie, seated on a wooden trestle table, hands gripping the edges of the table, looking to the camera, not smiling. Taken at New York. Print, 23.2 x 19.1. (Sleeve 237)

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Daguerreotype of Cam and Emily Sykes (née Thornton). They are seated next to each other with a small table between them, on which Cam Sykes rests his left arm. Emily Sykes is wearing a pink dress a white lace collar and black ruffled shawl over her shoulders, and she holds a small book. Both look to the left. Daguerreotype, 8.3 x 6.6. Inscribed on back, in same hand as EMF/27/96, 'Cam and Emmy Sykes'. (On Glass)

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Daguerreotype of Cam Sykes, husband of Emily Thornton (Marianne Thornton's niece). He is wearing a dark coat, waistcoat and watch-chain, seated on a carved chair, his right arm is resting on a carved table upon which is placed his top hat. He holds a walking cane in his right hand and his left hand is in his pocket. Daguerreotype, 7.9 x 6.3. Inscribed on back of mount, in unidentified hand, 'Cam / 1858'. (On Glass)

Scope and Contents From the Sub-Series:

This series includes photographs collected by Keynes but not of him, his friends or family, and posthumous photographs related to Keynes.

Scope and Contents

Professional studio photograph of E.J. Dent standing, wearing round-framed glasses, wing-collar, black neck tie and white handkerchief in breast pocket, taken in Italy. 1/2 length, looking to the right. Mounted on card, 17.9 x 14.5 (photograph 11 x 8). Inscribed on front of mount, by E.J. Dent, with signature and date. (Sleeve 103)

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Professional studio portrait of E.K. ['Francis'] Bennett of Caius College, head and shoulders, facing the camera, wearing a checked tweed suit and spotted bow tie. Taken at Cambridge. Print, 11.2 x 8.7. Inscribed on back, by E.M. Forster, ' E.K.B.' and surname completed in another hand. (Sleeve 218)

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Professional studio portrait of E.M. Forster, dressed and seated as above, but closer up, legs crossed, his left arm across his lap showing his wristwatch (hands at twenty past five), 3/4 length, looking to the right. Taken in London. Print, 19.4 x 15.2. (Sleeve 193)

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Portrait of E.M. Forster by Dora Carrington. Print, 18.5 x 15. Inscribed on back, [possibly at the National Portrait Gallery], with details of the gift to the National Portrait Gallery. (Sleeve 378)