Scope and Contents

A view looking down on to a pier piled with timber which is being loaded on to the steamer moored alongside.

Scope and Contents

57 x 105 mm. A view of the stained glass window depicting Sir Thomas More, the Earl of Surrey and Edmund Spenser.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

204 x 136 mm. An exterior view of the museum, a turretted brick building, taken from beside the Great Hall. The tower of the School of Engineering can be seen in the distance.

Scope and Contents

211 x 153 mm. An interior view of the museum looking down from the gallery on to the display cases on the ground floor. the museum came into being by the gifts of Sir William Macleay's collection of natural history specimens in 1888. He also paid for the building, the employment of a curator, and numerous fellowships.

Scope and Contents

267 x 202 mm. View looking along Macquarie Street, with a row of three storey terrace houses in the foreground. The building in the background appears to be the Free Library at the junction of Bent Street and Macquarie Street. The terraced houses in the foreground are handsomely proportioned buildings with slender arched doorways and cast-iron balconies on the first floor. They would appear to date from around the mid-1840s.

Scope and Contents

A view looking down the west side of Macquarie Street, showing the residential houses. The house partially seen on the extreme right of the picture is probably 'Burdekin House', opposite the Sydney Hospital. Built in 1841, it was regarded as 'the most handsome house in Sydney'. It was demolished in 1933.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

A view taken from the SW corner of the quay, looking NE, with trams and ferries in the foreground, and mail steamers moored beyond on the east side of the quay.

Scope and Contents

[Bear at the bars of its cage with white nose and collar marking].

Scope and Contents

[Bear at the bars of its cage with white nose and collar marking].

Scope and Contents From the File: The album now contains photographs numbered in the range 7455-7491; 7334-7344 and 7494-7634. Added numbers are: 7519A-7528A; spoiled: 7484-7486, 7525, 7562, 7611-7614, 7621 and 7626; not used: 7459-7460, 7463, 7526-7528, 7336, 7340, 7543-7544; missing: 7455-7456, 7458, 7462, 7464, 7471, 7473, 7476, 7480, 7489, 7334-7335, 7337-7339, 7341, 7533, 7535-7537, 7540-7541, 7547, 7550, 7560-7561, 7570, 7585, 7608, 7618, 7620, 7624, 7631. The photographs are not arranged totally in numerical order...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

268 x 203 mm. View looking up along Market Street, presumably from the junction with Sussex Street. Margaret Pugh's Old Boomerang Inn is on the corner in the right foreground, with the Lenehan Brothers' (Robert and Christopher H.) New Bridge Grocery Warehouse two doors along at 3 Market Street.

Scope and Contents 263 x 205 mm. View of business premises with the masts of moored ships visible in the right background. The precise location has not been identified, but is presumably one of the streets at the west end of Market Street near the Pyrmont Bridge. In the left foreground is R. Grant's Timber Offices with the Harrison Joinery Works beyond. Next comes the tiny boarding hotel, the Paris Board and Residence, with the more substantial three storey premises of A.B. Armstrong and Co. beyond and...

Scope and Contents

Painting only. [No print].

Scope and Contents

[No print]. [Missing].

Scope and Contents

350 x 250 mm. No print.

Scope and Contents

204 x 136 mm. A view of the other side of the building, with the main university buildings visible in the background.

Scope and Contents

210 x 146 mm. A view of the Medical School, showing the main façade and entrance. Most of the building is, unfortunately, in shadow.

Scope and Contents

194 x 131 mm. A view of the Gothic stone building which was erected in 1887. The first chair, in Anatomy and Physiology, was filled in 1883, the School starting with four students. The growth of the Medical Faculty was fast, and in 1890, the Chair of Anatomy and Physiology was split into two professorships.

Scope and Contents

209 x 152 mm. A view looking down the length of the classroom, with work benches and various pieces of equipment.