Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

272 x 200 mm. View from the easternmost end of King Street looking west. In the right foreground is a three storey terrace block with cast-iron verandahs running along the first floor. The right-hand portion of this is occupied by the Oxford Hotel. Directly opposite, at the extreme left of the print, a small part of the portico of St James's Church can be seen. Further down the road, on the junction with Phillip Street, is the Supreme Court Hotel.

Scope and Contents From the File: The album now contains photographs numbered in the range 7455-7491; 7334-7344 and 7494-7634. Added numbers are: 7519A-7528A; spoiled: 7484-7486, 7525, 7562, 7611-7614, 7621 and 7626; not used: 7459-7460, 7463, 7526-7528, 7336, 7340, 7543-7544; missing: 7455-7456, 7458, 7462, 7464, 7471, 7473, 7476, 7480, 7489, 7334-7335, 7337-7339, 7341, 7533, 7535-7537, 7540-7541, 7547, 7550, 7560-7561, 7570, 7585, 7608, 7618, 7620, 7624, 7631. The photographs are not arranged totally in numerical order...

Scope and Contents From the File: The album now contains photographs numbered in the range 7455-7491; 7334-7344 and 7494-7634. Added numbers are: 7519A-7528A; spoiled: 7484-7486, 7525, 7562, 7611-7614, 7621 and 7626; not used: 7459-7460, 7463, 7526-7528, 7336, 7340, 7543-7544; missing: 7455-7456, 7458, 7462, 7464, 7471, 7473, 7476, 7480, 7489, 7334-7335, 7337-7339, 7341, 7533, 7535-7537, 7540-7541, 7547, 7550, 7560-7561, 7570, 7585, 7608, 7618, 7620, 7624, 7631. The photographs are not arranged totally in numerical order...

Scope and Contents

A view down the busy shopping street, with crowds on the pavements and a tram in the foreground. A prominent advertisement reads 'For Ladies Only. Miss Maude Maddock, specialist for removing superfluous Hair, Moles, etc., by electrolysis ...'.

Scope and Contents

206 x 158 mm. A view looking out from the fort, with cannons in the foreground, looking out over to the other side of the Harbour. Kiribilli is situated on the north side of the harbour: in this view Government House can be seen at the left of the picture, with the Circular Quay to its right and with shipping moored in the harbour.

Scope and Contents

62 x 104 mm. A view of the stained glass window depicting Chaucer, Fortescue and James I.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

210 x 155 mm. A view of the large block of sandstone, with carved steps and a carved inscription, with Farm Cove partly visible at the left of the picture. The carving was done in 1816 so that the Governor’s wife could rest and look across the harbour on the walk back from the town to Government House.

Scope and Contents

75 x 57 mm. A view showing tour members sliding down a luggage chute onto the quayside.

Scope and Contents

A view of the building, similar in design to the Chief Secretary's Office and also designed by James Barnet in 1877. The photograph is taken from the junction of Bridge Street and Macquarie Place. The building was started in 1877 but by 1888 only the north-west corner was finished.

Scope and Contents

350 x 274 mm. A view of the building taken from the junction of Bridge Street and Macquarie Place.

Scope and Contents

210 x 152 mm. A view showing some of the workings of a machine, presumably used for stress-testing on the strength of components.

Scope and Contents

273 x 210 mm. View from Macquarie Street of the Legislative Council buildings. This building started life as one of the wings of the Rum Hospital. It became the Legislative Council Chamber in 1843.

Scope and Contents

210 x 152 mm. A view of a corner of the library, with bookshelves lining the far wall and various trophies and cups on a centre table. The Library pictured here is not the more magnificent Fisher Library, which was not opened until 1910.

Scope and Contents

275 x 206 mm. View looking up Liverpool Street towards the Willow Tree Inn at the junction with Castlereagh Street. The right foreground of the print is occupied by a large four storey bonded warehouse and factory named the Virginia Factory. The right-hand portion of the building is occupied by Cameron's Bond.

Scope and Contents

277 x 207 mm. View looking downhill and along Liverpool Street, with an unidentified road junction in the middleground and open country in the distance. The street is lined with modest domestic dwellings.

Scope and Contents 265 x 192 mm. View looking along the westernmost section of Liverpool Street, with the southern tip of Darling Harbour visible at the end (this section of water was later reclaimed). In the right foreground, at the junction with Sussex Street, the entrance to the Builder's Arms can be seen. On the left-hand side of the road a row of two storeyed terraced houses with cast-iron balconies on the first floor runs down to the junction with Harbour Street, on the further side of which is M.W....

Scope and Contents

A view looking down on to a pier piled with timber which is being loaded on to the steamer moored alongside.