Scope and Contents

277 x 207 mm. View looking downhill and along Liverpool Street, with an unidentified road junction in the middleground and open country in the distance. The street is lined with modest domestic dwellings.

Scope and Contents 265 x 192 mm. View looking along the westernmost section of Liverpool Street, with the southern tip of Darling Harbour visible at the end (this section of water was later reclaimed). In the right foreground, at the junction with Sussex Street, the entrance to the Builder's Arms can be seen. On the left-hand side of the road a row of two storeyed terraced houses with cast-iron balconies on the first floor runs down to the junction with Harbour Street, on the further side of which is M.W....

Scope and Contents

A view from the wharfside, showing coal being winched aboard a sailing ship.

Scope and Contents

A view taken from the wharfside showing coal being winched aboard a sailing ship.

Scope and Contents

A view looking down on to a pier piled with timber which is being loaded on to the steamer moored alongside.

Scope and Contents

57 x 105 mm. A view of the stained glass window depicting Sir Thomas More, the Earl of Surrey and Edmund Spenser.

Scope and Contents

A view of cattle in a field, with cleared land and hills beyond.

Scope and Contents

350 x 274 mm. A view of horses and cattle grazing on partially cleared land, with mountains on the horizon.

Scope and Contents

Jenolan Caves, N. S.W. [View of cliffs, with tree behind].

Scope and Contents

Jenolan Caves, N. S.W. [View of cliffs, with tree behind].

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

A view of two strange stalacmite formations, which take the general form of a human and of a bird. The Wombeyan Caves are somewhat less spectacular than the Jenolan Caves, and are situated about 30 miles west of Mittagong.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

204 x 136 mm. An exterior view of the museum, a turretted brick building, taken from beside the Great Hall. The tower of the School of Engineering can be seen in the distance.

Scope and Contents

211 x 153 mm. An interior view of the museum looking down from the gallery on to the display cases on the ground floor. the museum came into being by the gifts of Sir William Macleay's collection of natural history specimens in 1888. He also paid for the building, the employment of a curator, and numerous fellowships.

Scope and Contents

140 x 190 mm. A view of the lighthouse situated at South Head, with the barrel of a cannon lying in the grass in front. A simple and solid design, which was originally produced by Francis Greenway on Governor Macquarie's orders, it was completed in 1817 and earned Greenway, who was a convict, his freedom; it was the first lighthouse to be built in Australia. This photograph is of a copy of Greenway's original building, and was opened in 1883.

Scope and Contents

267 x 202 mm. View looking along Macquarie Street, with a row of three storey terrace houses in the foreground. The building in the background appears to be the Free Library at the junction of Bent Street and Macquarie Street. The terraced houses in the foreground are handsomely proportioned buildings with slender arched doorways and cast-iron balconies on the first floor. They would appear to date from around the mid-1840s.

Scope and Contents

A view looking down the west side of Macquarie Street, showing the residential houses. The house partially seen on the extreme right of the picture is probably 'Burdekin House', opposite the Sydney Hospital. Built in 1841, it was regarded as 'the most handsome house in Sydney'. It was demolished in 1933.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

A view taken from the SW corner of the quay, looking NE, with trams and ferries in the foreground, and mail steamers moored beyond on the east side of the quay.

Scope and Contents

[Bear at the bars of its cage with white nose and collar marking].

Scope and Contents

[Bear at the bars of its cage with white nose and collar marking].

Scope and Contents From the File: The album now contains photographs numbered in the range 7455-7491; 7334-7344 and 7494-7634. Added numbers are: 7519A-7528A; spoiled: 7484-7486, 7525, 7562, 7611-7614, 7621 and 7626; not used: 7459-7460, 7463, 7526-7528, 7336, 7340, 7543-7544; missing: 7455-7456, 7458, 7462, 7464, 7471, 7473, 7476, 7480, 7489, 7334-7335, 7337-7339, 7341, 7533, 7535-7537, 7540-7541, 7547, 7550, 7560-7561, 7570, 7585, 7608, 7618, 7620, 7624, 7631. The photographs are not arranged totally in numerical order...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...