350 x 250 mm. No print.

190 x 140 mm. A view along the sheer cliff face which drops to the wooded valley below.

204 x 156 mm. A view from Govett’s Leap, with two men at the cliff edge looking out over the Grose Valley. The Pulpit Rock can be seen in the distance.

205 x 155 mm. A similar view to the plate 33, without the figures in the foreground and taken at a later time of day, with the Pulpit Rock and much of the valley silhouetted and shadowy.

186 x 118 mm. A view looking along a cliff edge to the densely wooded valley below. With a man sitting in the foreground. On the reverse of the print is W. Bullard's stamp, a stationer and bookseller of 342 George Street, Sydney (a few doors away from Bayliss' studio at 348 George Street).

190 x 140 mm. A view of the top of the falls, from a slightly higher position with figures posing at the edge of the cliff in the foreground. The falls drop 1000 feet into the valley of the Grose.

A view from the cliff top looking towards the sheer drop of Govett's Leap, rising out of the densely wooded valley of the Grose. The view illustrates typical Blue Mountain scenery.

350 x 274 mm. A view from the cliff top, looking towards the sheer drop of Govett's Leap, which rises out of the heavily wooded valley of the Grose. The view shows typical scenery found in the Blue Mountains.

A view of the factory from one side showing an extensive wooden building, with milk churns being hoisted to the first floor, and two workers posing for the camera.

350 x 274 mm. A view of the butter factory, a wooden building with a winch for hauling milk churns up to the first floor. With two workers posing by the device.

75 x 52 mm. A view of the final parade in the arena of an agricultural show.

208 x 151 mm. An interior view along the Hall, this time looking west towards the tapestry. The Hall is laid out with desks and chairs for an examination.

209 x 145 mm. An interior view looking east along the Hall, with the stained glass windows and organ at the far end. The Great Hall measures 135 feet by 45 feet and its design is based on Westminster Hall. Arms of the British Universities are carved on the stone corbels which support the roof timbers, and hammer beams project above the corbels, at the end of which are wooden statues of angels. The Hall is generally considered the finest piece of Gothic architecture in Australia.

A view of the trees, standing on largely cleared land, with felled timber beyond. A heavy strong wood, used for constructions such as wharves, machinery foundations and railway sleepers.

Two rough, undated pencil sketches with descriptive notes, one on each side of a sheet of paper, 4½'' x 7''. The main writing is not in Frome's hand, but he has added 'Govnt House Sydney' and 'New Govt House Hobart Town'.

155 x 200 mm. The group contains three men (two identified as ‘F’ and ‘Capt. Hutton’), a woman (‘Nell’) and a boy. It is not clear whether ‘F’ is the same as ‘F.H.H.’ in Y308M/18. Captain Hutton, an elderly man in civilian clothes, has not been found in any biographical work consulted.

190 x 130 mm. A group portrait taken on the grass outside the house of four men (three of whom are in military uniform) and three women. The women are presumably the Keppel sisters and Violet Douglas Pennant (although these have not been individually identified). The identities of the men have not been determined.

Programmes, guides, journals and one map relating to the Royal Visits to Jamaica, Fiji, New Zealand, Australia, Ceylon, Aden, Uganda, Malta and Gibraltar. There is also a report of Barclays Bank D.C.O. Much of the material relates to the tour of Australia.

280 x 225 mm. A view across hilly, wooded land. No exact location given.

199 x 146 mm. Information given states '3 spans of 100 feet each, piers of Fitzroy (N.S.W.) iron, with 25 approach spans. Total length 1050 feet'. A view from one side along the bridge which crosses the river, here seen in spate. The main section is an all-metal construction, changing to wooden supports on the far side of the river.

Possibly Sydney.

A view of farm labourers in a field of wheat, with two horse drawn threshers.

A view of a harvested field, with a machine for packing the wheat into sacks, a steam engine, and workers posing for the camera.

Showing two horse-drawn wagons being loaded with wheat in a field of neatly piled stooks.

350 x 274 mm. Showing two horse-drawn wagons being loaded with wheat in a field of neatly piled stooks.