Music
Found in 153 Collections and/or Records:
Hugh Fraser Stewart and family: Correspondence and Papers
Hymnarium cum notis Musicis, Sixteenth century
Prefixed are 6 leaves of prayers to our Lady in Dutch, at the end of which is a statement that they are written 'per me Joannem filium Nycolai presbiteri.'
Integer Solutions of Quadratic Functions and Other Notes, c 1665
Includes notes of the musical semitone.
Introits for Sundays and Festivals, set to music on a four-line stave
At the end is a prayer for Charles Emmanuel [I], King of Sardinia. Rubrics in English, suggesting origin in an English convent in the Kingdom of Sardinia. Initials in gree, red, or blue, with occasional decoration. Inside front cover and at foot of p.1: 'Henry Asnon' (18th cent. hand). p. 132: 'T. Scoles's Book of the Gift of Unkle Asnon, Septr 15th 1793'. 66 fos. 7.25 x 4.75 in.
Italian Arias
Jeanne-Marie Dolmetsch Collection
John Dowland and others: musical compositions, [1598-1595]
Pavans, galliards, marches and songs, composed principally by John Dowland and Antony Holburne. The music is written on a single stave of six lines; the notes are represented by letters on the lines or spaces, and their length by symbols above the stave. Most pages contain 11 staves. Titles of the pieces include 'My hart is surely soft', 'Go fro my windoe goe' and 'Bonny sweete boy'.
John Marsh: Diaries
Letters from Artur Schnabel to Edward Dent, 1950-01-20 - 1950-02-12
2 autograph letters signed.
Letters from composers and conductors, 1968-1984 and dated without year
Letters to AHM on Else Headlam-Morley's concerts, 1925 - 1937
Correspondents include: Robert Davenport; Kenneth Headlam-Morley; Edward Dent [President of the International Society for Contemporary Music] on performances of Else's opera 'Leonarda' at Salzburg and Innsbruck [Austria].
List of Exercises of Bachelors and Doctors of Music
A reference-list of the exercises for the Degrees of Bachelor and Doctor of Music between the years 1875 and 1910, arranged in columns as follows: 1) name of recipient of degree; 2) degree; 3) date; 4) reference number of exercise. The names are in alphabetical order. The reference numbers are those of the University Library, where the exercises are kept. There are 22 folios.
Literary: correspondence: recordings of speeches and extracts from works. This file primarily consists of business correspondence relating to the rights in speeches recorded privately by WSC in 1949, which were acquired by Decca in 1964. Much of WSC's correspondence is handled by his Private Secretary, Anthony Montague Browne. , 27 Sep 1946 - 24 Apr 1965
Luca Marenzio: Madrigals
Mark Brown: Musical scores for productions of the 7:84 Theatre Company
Comprises scores for: (/1) 'The Fish in the Sea'; (/2) 'Yobbo Nowt' (photocopy); (/3) 'Lay-Off'; and (/4) 'Bitter Apples' (photocopy, with a covering note by Brown).
Maurice Greene: Anthems
(fo. 1) 'Lord, let me know mine end', scored for four voices and bass, many printed editions; (fo. 5v) 'Bow down Thine ear', scored for six voices; (fo. 13v) 'O Praise the Lord all ye heathen', scored for four voices, written from end of volume; (Fo. 1) 'A Funeral Anthymn by Maurice Green For 4 voices to a Walking Thorough Base The Finest Anthymn that Ever was Made'; (Fo. 12) 'By Mr Maurice Green The Kings Organist & Organist of St Pauls.'
Minutes of the Board of Musical Studies, signed, 1877 - 1890
Minutes of Boards of Studies, from 1926 known as Faculty Boards, may cover governance, appointments, budgets, curriculum development, examining and accommodation.
Miscellaneous, 1847 - 1995
Music copybook
Musical compositions, c. 1620
On the flyleaf is written 'For the bass vyall'. Leaves 1-11, 19-25, 33 and 40-42 contain the bass part of a number of dance tunes: this portion of the manuscript is written in the notation semibreves, minims, etc., but without bars. Leaves 12-18 and 26-27 contain music in similar notation to that in MS Dd.02.11. The remaining leaves are blank. For the recorder part to many of these pieces, see MS Dd.05.21.
Musical compositions, c. 1620
Contains the recorder part of most of the music whose bass is in MS Dd.05.20.
Musical compositions, c. 1600
Musical compositions, c. 1610
Music, of a similar kind to that in MS Dd.02.11 ('pavans, galliards, marches and songs').
Musical compositions, c. 1640
Each page is ruled for five staves of four-line music. On 56 of the pages there are harmonised dance-tunes, similar to those in MS Dd.02.11; the remaining pages are not used.
Musical compositions, c. 1615
Music, of a similar kind to that in MS Dd.02.11 ('pavans, galliards, marches and songs'). The last two leaves give the notes and clefs used in the modern notation, together with a scale-exercise for the harpsichord.