Scope and Contents

Taken at Sterling, Mass. Print, 12 x 17. (Album, page 2r)

Scope and Contents

Benjamin Britten sitting in the driver's seat of an open top car, with six children from the cast of the first production of Let's Make an Opera, 1949. Taken from above and slightly to the left of the car bonnet, probably at Aldeburgh, Suffolk. Print, 19.2 x 14.4. (Sleeve 249)

Scope and Contents Interior of a room with a wood plank floor, large windows looking into a garden, curtains, pelmet and wooden furniture. Benjamin Britten is standing to the left, his back to the camera, Peter Pears is sitting on the window seat, facing the camera, Ronald Duncan is next to him, and E.M. Forster to the far right, is sitting in the corner of the window seat looking down. A table laid for tea is in the centre, in front of the window seat. Taken at Crag House, Aldeburgh. Print, 19.2 x 14.4....

Scope and Contents

Benjamin Britten wearing shorts and a short-sleeved shirt, sitting on a fabric-covered couch or divan, supporting himself on his left arm, his hand resting on a cushion, looking down at a typescript on his knees. He holds a pen in his right hand, raised to his chin. Probably taken at Aldeburgh, Suffolk. Print, 19.3 x 14.6. Inscribed on back, by EMF, 'Ben' and inscribed on back, by P.N. Furbank, 'Benjamin Britten'. (Sleeve 252)

Scope and Contents

Fishing boat on a calm sea, looking towards the stern, with a boy wearing boots on the left, leaning against the side, another boy is emptying a netted cage. Bill Burrell is standing at the tiller, profile to the left. E.M. Forster is sitting on the right, on a plank stretched along the side, looking towards Burrell. Taken at Off-shore near Aldeburgh, Suffolk. Print, 11.5 x 6.7. Inscribed on back, by Archivist, '? Billy Burrell (at stern)'. (Sleeve 254)

Scope and Contents

Fishing boat, probably the same occasion as EMF/27/667. Bill Burrell on the left, leaning over the side, looking towards the camera, a boy at the tiller, E.M. Forster sitting against the side, and another boy on the right. All are looking towards the camera. Taken at Off-shore near Aldeburgh, Suffolk. Print, 11.5 x 6.9. Inscribed on back, by Archivist, 'EMF at Aldeburgh'. (Sleeve 254)

Scope and Contents

Bill Burrell wearing a fisherman's smock and long knitted cap, turned to the right, profile to the right, 1/4 length. Possibly taken at Aldeburgh, Suffolk. Print, 14 x 10.1. Inscribed on front, by Bill Burrell, 'all best wishes / Bill'. (Sleeve 254)

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Production photograph of 'Billy Budd' showing the chorus, including Budd, pointing towards a single character, possibly Claggart, standing in front of them. Print, 21.5 x 16.1. (Sleeve 256)

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Production photograph of 'Billy Budd' showing Budd stammering in front of the officers. Act One, Scene One. Print, 21.7 x 16.4. (Sleeve 257)

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Production photograph of 'Billy Budd' showing Budd kneeling with chains on his wrists looking up towards [? Dansker] who is standing on the right. Act Four, Scene One. Print, 19 x 16.5. (Sleeve 259)

Scope and Contents

Production photograph of 'Billy Budd' showing Budd standing on a table on the ship's deck, waving his right hand in the air, possibly singing 'Farewell, Rights o' Man'. Act One, Scene One. Print, 21.5 x 14.4. (Sleeve 255)

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Newspaper cutting from 'Picture Post' showing a performance of 'Billy Budd', with Budd standing on the table on deck, as in EMF/27/669. Paper, 21.1 x 14.4. (Sleeve 262)

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Production photograph of 'Billy Budd' showing the quelling of rebellion at the end. Act Four, Scene Two. Print, 18.9 x 16.3. (Sleeve 261)

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Production photograph of 'Billy Budd' showing the Court Martial. Act Three, Scene Two. Print, 21.8 x 16.4. (Sleeve 258)

Scope and Contents

Newspaper cutting from 'Picture Post' showing a performance of 'Billy Budd', with Budd standing in front of the officers at the Court Martial in Act Three, Scene Two. Paper, 24.2 x 17.2. (Sleeve 263)

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Production photograph of 'Billy Budd' showing the officers and sailors looking upwards as the hanging scene is performed. Act Four, Scene Two. Print, 21.5 x 14.1. (Sleeve 260)

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Photograph of exterior of the Tithe Barn at Birkin. Print, 11 x 8.4. (Sleeve 41)

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Original print from a series of snapshot photographs taken while Keynes and Lydia were on a visit with friends to the seaside at Birling Gap, East Sussex. (Sleeve 266)

Scope and Contents

Original print from a series of snapshot photographs taken on the Seven Sisters cliffs near Birling Gap, East Sussex.
Annotated in album 'Near Seven Sisters, Burlington Gape'. (Sleeve 274)

Scope and Contents

Original print from a series of snapshot photographs taken on the Seven Sisters cliffs near Birling Gap, East Sussex.
Annotated in album 'Sir Geoffrey 1929'. (Sleeve 274)

Scope and Contents

Original print from a series of snapshot photographs taken while Keynes and Lydia were on a visit with friends to the seaside at Birling Gap, East Sussex. (Sleeve 266)

Scope and Contents

Original print from a series of snapshot photographs taken on the Seven Sisters cliffs near Birling Gap, East Sussex.
Annotated in album 'Near Seven Sisters, Burlington Gape'. (Sleeve 274)

Scope and Contents

Original print from a series of snapshot photographs taken while Keynes and Lydia were on a visit with friends to the seaside at Birling Gap, East Sussex.
Annotated at top of print: 'Birling Gap 1927'. (Sleeve 266)

Scope and Contents

Original print from a series of snapshot photographs taken while Keynes and Lydia were on a visit with friends to the seaside at Birling Gap, East Sussex. (Sleeve 266)

Scope and Contents

Original print from a series of snapshot photographs taken on the Seven Sisters cliffs near Birling Gap, East Sussex. (Sleeve 275)