Max-Philippe Delavouet, E.M. Forster, and Charles Mauron, similar to above, but closer up and all looking towards the camera. Taken at Mas du Baile-Verd, Grans (Bouches-du-Rhone), France. Print, 10.7 x 8.1. Inscribed on back, by Archivist, with names. (Sleeve 300)

As EMF/27/693, but viewed closer up and from a different angle with the light shining full on E.M. Forster's face. E.M. Forster seated at his desk, legs crossed and looking downwards. The sunshine is falling onto a book and drinking glass on the desk, as above. Taken at King's College, Cambridge. Print, 17.5 x 11.8. Inscribed on back, by E.M. Forster, 'Cambridge c. 1950'. (Sleeve 272)

Photograph showing closer view than EMF/27/112 of Robert Thornton's orangery, taken at Clapham. Print, 11.1 x 8.4. Inscribed on back, by E.M. Forster, with location. (Sleeve 44)

Photograph taken somewhere in New Zealand. Print, 19.6 x 13.9. Inscription on front 'ANCIENT MAORI CARVINGS ILES. PHOTO ROTORUA'. (Sleeve 82)

Photograph taken in Fiji. Print, 20.0 x 15.0. (Sleeve 82)

Photograph taken in Fiji. Print, 20.5 x 15.4. (Sleeve 81)

Print, 12.6 x 10.2. (Sleeve 53)

2 prints, 17.8 x 12.6, 17.8 x 12.7. (Sleeve 14)

Rocky crag silhouetted against a cloudy sky, taken at Helm Crag, Cumberland. Print, 8.4 x 6.1. Inscribed on back, by E.M. Forster, 'Helm Crag' and date. (Sleeve 188)

View down a hillside to a lake with hills in the distance, taken at Loweswater, Cumberland. Print, 8.5 x 6.1. Inscribed on back, by E.M. Forster, 'Loweswater' and date. (Sleeve 188)

View across a valley, showing shadows made by clouds on distant hills, large stones to the left and grass in the foreground, taken at Helm Crag, Cumberland. Print, 8.4 x 6.1. Inscribed on back, by E.M. Forster, 'Helm Crag' and date. (Sleeve 188)

View down a steep hillside to the valley and hillsides opposite, rocky outcrop in foreground with woods, roads, fields and farm buildings below in the valley, taken at Helm Crag, Cumberland. Print, 8.4 x 6.1. Inscribed on back, by E.M. Forster, 'Keswick Road from Helm Crag' and date. (Sleeve 188)

Kept with a fragment of German newspaper of unknown relevance. (Sleeve 304)

Photographs of the Handicraft Guild at Campden and elsewhere, and of the Guild plays, most sent by Alec Miller to Janet Ashbee and inscribed by him. Contradictions over plays and dates have been resolved by recourse to the Ashbee journals.

2 copy prints, 8.9 x 12.1, 8.8 x 8.9. (Sleeves 19-20)

Possibly taken at 2635 Locust St., St. Louis. Print, 8.4 x 8.4. (Album, page 5r)

Max-Philippe Delavouet, E.M. Forster, and Charles Mauron, seated on the right, all facing left. A table with a bottle is behind them, trees above and behind. Taken at Mas du Baile-Verd, Grans (Bouches-du-Rhone), France. Print, 10.7 x 8. Inscribed on back, in same hand as above, with names, location and date. Also inscribed on back, by Archivist, with names. (Sleeve 299)

T.S. Eliot, Emile Henriot and others, various poses. HB/PH/344 inscribed by J.D. Hayward. Taken at Cheltenham. HB/PH/344-5 taken by Cheltenham Newspaper Co. Ltd. 7 prints, 16 x 10.5 (Nos.339-43), 21.2 x 15.6 (Nos.344-5). (Sleeves 93-6)

Photograph of trees on a hillside and a valley beyond, taken at Chineway Edge [possibly Chinway Hill], Ottery [? St Mary], Devon. Print, 8.7 x 6.1. Inscribed on back, by E.M. Forster, 'Chineway Edge / Ottery' and date. (Sleeve 190)

Photograph of trees on a hillside and valley beyond, taken at Chineway Edge [possibly Chinway Hill], Ottery [? St Mary], Devon. Postcard, 13.5 x 8.3. Inscribed on back, in unidentified hand, 'Chineway Edge / Ottery / June 1933'. (Sleeve 440)

A photograph with Charlotte Eliot Smith on the extreme right and Ada Eliot Sheffield second from right, possibly taken at 24 Concord Avenue, Boston, Mass. Print, 7.1 x 4.9. (Album, page 22r)

Print, 7 x 4.9. (Album, page 22r)

Photograph of Dora Carrington standing beside Lytton Strachey. Strachey is seated in a low canvas chair. Carrington is wearing jodhpurs and riding boots, and is carrying a saddle under her right arm. Possibly taken at Ham Spray House. Print, 13.8 x 8.5. Inscribed on back, by P.N. Furbank, with names. (Sleeve 138)

Possibly taken at 24 Concord Avenue, Boston, Massachusetts, Charlotte Champe Elliot's Boston home after moving from St Louis in 1920. Print, 6.2 x 9.8. (Album, page 22r)

Print: 12.5 x 10.1. (Sleeve 53)