Scope and Contents

204 x 156 mm. A view looking up from a jetty at the water’s edge, towards the long low building of the abattoir. These abattoirs were situated on the Pyrmont side of the Glebe Island Bridge, and can be seen to the north of the bridge in Plate 24.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

178 x 110 mm. A view of the Lithgow Zig-Zag, a massive piece of railway engineering by John Whitton, which enabled the railways to descend on the far side of the Blue Mountains on the Western Line from Sydney. These viaducts were opened in 1869.