Lucknow (inhabited place)
Found in 206 Collections and/or Records:
Mosque in the Residency enclosure, Lucknow, 1902 - 1910
An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.
Mosque of the Imambara, Lucknow, 1908-01 - 1908-02
Half-plate. Called Macchi Bhawan.
Muchee Bawan and Mosque, 1880 - 1889
244x185mm. View looking north across the mosque quadrangle towards the entrance gateway. In the centre background is the Rumi Darwazah. The mosque with its twin minarets is at the left of the print. The view is taken from the Imambara.
Muchi Bawn, Lucknow, 1880 - 1889
277 x 212 mm. View looking north-west along the Husainabad Road towards the Rumi Darwazah or Turkish Gate entrance to the Machhi Bahawan fort and palace. This massive and ponderous structure forms the western entrance to the complex. Both the Rumi Darwazah and the Imambara were started in 1784 as famine relief projects by Nawab Asaf-ud-daulla. At the left of the print is the entrance to the mosque and Imambara.
Mutiny, the Residency, Lucknow, 1905-12-26
Signatures of survivors of the siege of Lucknow during the Indian Mutiny.
Nabob's Palace, Lucknow, 1880 - 1889
246x187mm. View from an upper storey in the Kaiser Bagh looking across the main quadrangle (laid out with gardens in a state of some decay) towards the palace, presumably the the Badshah Munzil, the special residence of the king. This was originally erected by Saadat Ali Khan but incorporated into Wajid Ali Shah's plan for the Kaiser Bagh.
Near the Mosque
Nighs monument
Nighs monument
No. 11, Residency with Duke of Cornwall's Monument, Lucknow, 1920 - 1929
Procession of Tasias, 1908-01 - 1908-02
(One is going to the Imambara, and the other to Asafud Doulahs Imambara).
Procession of Tasias, 1908-01 - 1908-02
(One is going to the Imambara, and the other to Asafud Doulahs Imambara).
Residency, 1880 - 1889
274x212mmc View from south of the Residency looking towards the ruins. In the centre of the print is the base of the south tower which during the siege housed the telegraph for communications with Allum Bagh. In the left foreground is the building which stood over the tykhanas (underground rooms) of the Residency which were the safest refuge from enemy fire.
Residency and Banqueting Hall, 1860 - 1869
294 x 235 mm.
Residency, from Cemetary, Lucknow, 1864
298 x 240 mm. View looking eastwards from the cemetery towards the ruins of the Residency (see Y3022L/42-43). The easternmost corner of the cemetery can be seen at the right, with the Chowkidar's house and the grave, with the memorial in the form of a gothic spire, of 90 officers and men of the 5th Fusiliers, in the foreground. Bourne no. 1066.
Residency from east side
[Residency] from front lawn
[Residency] from west side
Residency, Lucknow, 1880 - 1889
275x212mm. A general view of the ruins of the Residency from near the Water Gate Entrance to the north-east of the buildings, with the one remaining tower at the right of the print and the ivy-covered remains of the porticoed main entrance on the left.
Residency, Lucknow, 1905-12-25 - 1905-12-28
Residency Lucknow
Residency, Lucknow, 1920 - 1929
Room in Dr Faysers house in which Sir H. Haverlock died
Room in which Sir Henry Lawrence was wounded
Roses in the school garden, 1902 - 1910
An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.