Victoria (state)
Found in 445 Collections and/or Records:
View Point, Sandhurst, 1875
177 x 124 mm. A view of Charing Cross, at the junction of Pall Mall and Mitchell Street, taken from the south-eastern corner of the cross-roads. With figures posing around the central lamp post, and with the Oriental Hotel in the background.
[View south], 1870
390 x 274 mm. A view looking over gardens and backyards towards open land in south Melbourne. The sea can be seen at the right of the print as well as parts of the suburbs of South Melbourne and St. Kilda.
View taken from Saint Paul’s Tower, 1875
176 x 123 mm. A view looking south-east from the tower and showing the railway station, the goods shed, and the locomotive shed, with Quarry Hill in the distance. Bendigo was connected to Melbourne by rail in October 1862.
View taken from St Paul’s Tower, looking South, 1875
179 x 124 mm. A view looking over a city block, with wide streets on either side, and the outlying parts of the city beyond. Locations identified in the key are: Three Arch Bridge, Garsed Street, Whipstick Hill, Big Hill Ranges in the distance, Stewart and Degraves Flour Mill, Wills Street.
[View towards Port Melbourne], 1870
388 x 273 mm. A view looking over commercial premises, small factories and warehouses towards Hobson’s Bay in the distance. In the middle ground of the print the masts of ships moored in the Coode Canal and the River Yarra can be seen.
[View towards Port Melbourne], 1870
390 x 273 mm. A view looking over commercial and residential premises towards open land, beyond which lies the Yarra’s outlet into Hobson’s Bay.
[View towards Port Melbourne], 1870
387 x 273 mm. A view looking across hotels and houses towards an enclosed expanse of water in the distance (exact location unidentified). In the foreground stands the small wooden building of the West Melbourne Common School.
Views in the Botanical Gardens, 1888 - 1889
200 x 154 mm. A view showing part of the lake, with lilies in the foreground and trees and shrubs on the bank.
Views in the Botanical Gardens, 1888 - 1889
200 x 152 mm. A view showing a small wooden bridge, with thick foliage on either side.
Views in the Botanical Gardens, 1888 - 1889
201 x 163 mm. A view looking across the same wooden bridge, towards a small summer house, with trees and shrubs beyond.
Views in the Botanical Gardens, 1888 - 1889
198 x 138 mm. A view across one of the lakes in the gardens with shrubs and palms in the foreground.
Volume XXIV : Maltese Islands, Victoria, Tasmania, November 1909, 1909-11
Walhalla, 1885 - 1901
198 x 145 mm. A general view of the town, looking along the valley from the hillside.
Walhalla, 1885 - 1901
204 x 154 mm. A view looking down on to an unidentified goldmine. Walhalla was the largest producer of gold in Gippsland, although the discoveries here came later than in the main Victorian finds of the early 1850s.
Waterfall scene on the Coliban River, near Elphanstone, 1877 - 1879
187 x 131 mm. A view looking down onto the forty foot falls on the Coliban River, a branch of the Campaspe.
Waterwheel, Walhalla, 1885 - 1901
147 x 199 mm. A view of a waterwheel, with houses perched on the hillside beyond. It is not possible to discern what the power from the wheel is being used for.
Wesleyan Church, Golden Square, 1875
115 x 161 mm. A view of the church, which is built of brick with white stone facings, with a spire at the end nearest the camera. The church was built in 1859. (See also Y3087C/18).
West Australian: Front View, 1880
287 x 234 mm. A view showing the entrance to one of the Western Australian sections, with specimens of metals, minerals and timber.
William Dunn, June 1871. Born at Goulbourn, New South Wales, August 2nd 1851, 1871-06
35 x 55 mm. (Vignetted oval). A carte de visite head and shoulders studio portrait of William Dunn, presumably the brother of E.J. Dunn. The backmark reads: 'Portraits and landscapes. Photograph by J.E. Bray, Beechworth, Victoria'.
Wilson Hall, 1885 - 1891
199 x 146 mm. An exterior view of the hall, a building in English perpendicular Gothic style, modelled on Oxford and Cambridge College lines, and designed by Joseph Reed. The cost was borne by Sir Samuel Wilson. The building was completed in 1879, and described by Sir Redmond Barry as being ‘florid but pure in taste’.