Scope and Contents

275 x 220 mm. A view of a curve of the creek, with a man rowing, and a tree-lined hill rising beyond.

Scope and Contents

275 x 220 mm. A view looking down into the creek, heavily wooded on either side, and with a rowing boat in the water.

Scope and Contents

275 x 220 mm. A view looking down onto the creek, with woods on either side, and a wooded hill in the distance. With two men sitting in a rowing boat on the creek.

Scope and Contents

190 x 140 mm. A view from a cliff top looking down at the densely wooded valley, covered by cloud at its more distant points.

Scope and Contents

Monochrome postcards (original photographs) of scenes in the Katoomba area. Photographed and published by A. Manning.

Scope and Contents

190 x 140 mm. A view looking out from a cliff top with mountains in the distance and Jamieson Valley below. The rock in the foreground is possibly Orphan Rock.

Scope and Contents

190 x 140 mm. A view looking out from a cliff top on to part of the Jamieson Valley.

Scope and Contents

190 x 140 mm. A view looking out from a cliff top looking out on to Jamieson Valley.

Scope and Contents

140 x 190 mm. A view of the falls from above and to one side.

Scope and Contents

274 x 350 mm. A view of the waterfall from below the lip of the cliff. The waterfall, in the heart of the Blue Mountains, drops 180 feet to the valley below.

Scope and Contents

225 x 285 mm. A view of the vertical rock-face, with the waterfall dropping 180 feet over the overhang below. Katoomba lies about 60 miles west of Sydney and, situated in the heart of the Blue Mountains, has long been a popular tourist spot. The name derives from an Aboriginal Australian word meaning 'falling water'.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

272 x 200 mm. View from the easternmost end of King Street looking west. In the right foreground is a three storey terrace block with cast-iron verandahs running along the first floor. The right-hand portion of this is occupied by the Oxford Hotel. Directly opposite, at the extreme left of the print, a small part of the portico of St James's Church can be seen. Further down the road, on the junction with Phillip Street, is the Supreme Court Hotel.

Scope and Contents From the File: The album now contains photographs numbered in the range 7455-7491; 7334-7344 and 7494-7634. Added numbers are: 7519A-7528A; spoiled: 7484-7486, 7525, 7562, 7611-7614, 7621 and 7626; not used: 7459-7460, 7463, 7526-7528, 7336, 7340, 7543-7544; missing: 7455-7456, 7458, 7462, 7464, 7471, 7473, 7476, 7480, 7489, 7334-7335, 7337-7339, 7341, 7533, 7535-7537, 7540-7541, 7547, 7550, 7560-7561, 7570, 7585, 7608, 7618, 7620, 7624, 7631. The photographs are not arranged totally in numerical order...

Scope and Contents From the File: The album now contains photographs numbered in the range 7455-7491; 7334-7344 and 7494-7634. Added numbers are: 7519A-7528A; spoiled: 7484-7486, 7525, 7562, 7611-7614, 7621 and 7626; not used: 7459-7460, 7463, 7526-7528, 7336, 7340, 7543-7544; missing: 7455-7456, 7458, 7462, 7464, 7471, 7473, 7476, 7480, 7489, 7334-7335, 7337-7339, 7341, 7533, 7535-7537, 7540-7541, 7547, 7550, 7560-7561, 7570, 7585, 7608, 7618, 7620, 7624, 7631. The photographs are not arranged totally in numerical order...

Scope and Contents

A view down the busy shopping street, with crowds on the pavements and a tram in the foreground. A prominent advertisement reads 'For Ladies Only. Miss Maude Maddock, specialist for removing superfluous Hair, Moles, etc., by electrolysis ...'.

Scope and Contents

206 x 158 mm. A view looking out from the fort, with cannons in the foreground, looking out over to the other side of the Harbour. Kiribilli is situated on the north side of the harbour: in this view Government House can be seen at the left of the picture, with the Circular Quay to its right and with shipping moored in the harbour.

Scope and Contents

340 x 262 mm. 126 feet high in the centre, designed by the Chief Engineer John Whitton. This was one of the structures built to enable line to reach the Lapstone zigzag. It is now used entirely by highway traffic.

Scope and Contents

280 x 225 mm. A view down the gully, showing the stone viaduct rising above the trees. Part of the line on the Western Railway, on the way to the Lapstone Zig-Zag and the viaduct was designed by the Chief Engineer, John Whitton, and the line as far as Weatherboard completed in 1867. It was John Whitton whose determination forced through the attempt to build the railway through the Blue Mountains in the first place.

Scope and Contents

62 x 104 mm. A view of the stained glass window depicting Chaucer, Fortescue and James I.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...