Scope and Contents

151 x 109 mm. A view of the snow covered mountain summit, with a fair-sized lake in the foreground a few hundred feet below the summit.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Fonds:

A collection of lantern slides of Australia (plus one duplicate). 5-10 are marked 'Commonwealth of Australia' and have serial numbers. 12-22 are marked 'Department of Agriculture and Stock, Brisbane'. The slides' captions have been used as titles and have been recorded as found.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

Landscape format.

Scope and Contents

Landscape format. [Closer view of Bluff Rock among trees].

Scope and Contents

145 x 95 mm. Information given states '2 spans of 100 feet with 2 approach spans, total length 270 feet'. A view from the river bank showing a bridge similar in design to Tumut Bridge, with wooden superstructure and supports.

Scope and Contents 280 x 225 mm. A view along one of the paths in the garden, with a suited man sitting on the lawn in the foreground. The origins of the Botanic Gardens go back to 1787 when Governor Phillip on his way to New South Wales collected seeds at Rio de Janeiro, and on landing in 1788 set up a farm and garden at Farm Cove. The farm proved a failure but the garden continued and after 1796 was retained as Government property. In 1869-70 the harbour frontage was reclaimed and the garden now occupies...

Scope and Contents

280 x 225 mm. A view of a wooden thatched shelter in the gardens, with a boy standing in front. Government House can just be discerned behind the hut.

Scope and Contents

280 x 225 mm. View down a path in the gardens, with a bed of various palm trees in the centre.

Scope and Contents

285 x 225 mm. A view down a path lined with ornamental urns, with a lawn to the left and trees to the right.

Scope and Contents

280 x 225 mm. A view down a path, with a gardener at work on one of the beds.

Scope and Contents

280 x 225 mm. A view of beds planted with various types of palm. With a gardener at work on one of the beds.

Scope and Contents

190 x 140 mm. A view in the Northern part of the gardens with lawns, paths and statues, looking over towards Farm Cove and Macquarie Point in the background. With shipping in the harbour.

Scope and Contents

190 x 140 mm. A view of one of the small lakes in the centre of the gardens, with a small bridge.

Scope and Contents

190 x 140 mm. A view down a path in the gardens, lined with trees and shrubs, and with a statue of a youth sitting in the foreground.

Scope and Contents

140 x 190 mm. A view down a path in the gardens, with palm trees and other shrubs.

Scope and Contents

190 x 140 mm. A view down a path in the gardens, lined with statues.

Scope and Contents

190 x 140 mm. A view of one of the small lakes in the northern part of the garden; the roof of Government House can be seen above the treeline.