Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents

167 x 164 mm. The caption on the reverse of the photograph reads: '14th century nativity fresco in the very well preserved church of 'Stavros tou Ayiasmatou' (Diosmati) - Cross of the Holy water - at the village of Platanistasa on the Troodos mountain range'.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents From the Series:

Monochrome gravure postcards of Cyprus, published by Raphael Tuck and Sons. The postcards were originally stored in an accompanying envelope.

Scope and Contents

184 x 119 mm. Autotype. A view showing a rough wooden cart drawn by two oxen, with two Cypriots seated on the vehicle. Thomson describes it 'as picturesque in appearance as it is incomprehensible in construction' (1879, vol.1, p.6).

Scope and Contents

Quarter-plate (landscape format).

Scope and Contents

Quarter-plate (landscape format). In distance terraced vineyards. Note branch with caroab fruit on roadside. The fruit of the caroab always hangs inside the mass of the foilage; this tree is loaded. Exported for cattle cake making, etc.

Scope and Contents 89 x 110 mm. Woodburytype. A sensitive portrait of a young woman wearing a striped dress and embroidered head scarf: 'The accompanying illustration may be taken as an ordinary type of the women of Cyprus ... it may be added that they dress modestly, and many of them follow the Turkish fashion of keeping the greater portion of the face covered. Some of them ... are not unworthy descendants of the Cypriote maids of classic fame. The native beauty of the race is, however, seen at its best...

Scope and Contents From the Fonds:

A collection of loose prints. All are 250 x 200 mm unless otherwise stated. There are brief typed captions on the backs of the prints, some of which have been elaborated or amended for this catalogue. Some of the prints are organised by subject: 12 - 19 concern the Turkish invasion and its aftermath; 20-26 are images of people and places; 27-28 concern antiquities.

Scope and Contents 170 x 115 mm. Woodburytype. A view showing a priest and other Cypriots seated outside a small cottage, with a large clay oven in the background: 'This is the abode of a village priest of the Greek Church, whom we see seated in the foreground waiting for a cup of wine which is being poured for his use ... The walls of his dwelling are built of stone, the rafters are pine, and the roof resting upon these is a sort of platform constructed out of brushwood which has been wattled into thatch...

Scope and Contents

Half-plate. [No print]. Missing. Gun found 1 Nov. 1907 by a sponge fisher in Famagusta Bay. It is a bronze cannon 9 feet long, presented by King Henry VIII to Villiers de l Isle Adam in 1527 towards the recovery of Rhodes. One of a park of guns.

Scope and Contents

152 x 107mm. Showing trees and shrubs growing on either side of a wide pathway.

Scope and Contents

171 x 113 mm. Woodburytype. A view looking along a rock-strewn mountain path on which stands Habib Kuri: 'my dragoman [interpreter] ... a trader of Nicosia ... who proved an honest and agreeable attendant, and spoke intelligible French ...' (Thomson 1879, vol.2, p.32). With the village of Module in the background.

Scope and Contents

175 x 106 mm. Woodburytype. A view showing the interior of a tomb looking towards the entrance, with a Cypriot seated in the foreground: 'The sepulchre here shown is now half-filled up with rubbish, and the entrance to it is through a porch supported by two pillars cut out of solid rock. The interior is nearly square, and in the sides and back wall are recesses designed for the stowage of bodies; while above these again are sundry small shallow niches' (Thomson 1879, vol.2, p.50).

Scope and Contents 176 x 115 mm. Woodburytype. A view looking along a narrow street with overhanging balconies. With two men in a doorway in the foreground: 'The streets of Larnaca are narrow, and, as a rule, devoid of pavement, recalling in their general aspect the older quarters of Alexandria, or Cairo. The houses, however, are more European in style than those of Egypt ... In front, over the central doorway, projects a verandah, closed in around, and so fitted with Venetian shutters as to admit the...