210 x 150 mm. No European is allowed [to] own property on Kashmir soil, hence the houseboat for residents and visitors in the season. These houseboats are tiled with wood and the windows are screened with wire netting to keep out mosquitoes.

292x 239 mm. View looking down on the river and surrounding jungle-covered hillside. Photographer unknown, possibly Bourne and Shepherd.

275 x 201 mm. View looking along the river (here embanked to form a canal), with a tree-lined avenue running along the left-hand bank.

Quarter-plate. 'Coolies [labourers] carrying my baggage'.

Quarter-plate (landscape format). A tree on the road.

155 x 108 mm. glossy print.

Quarter-plate. Dandies coming up.

Quarter-plate. Trichinopoly - afternoon.

Quarter-plate. From circular road south. Papaw tree. The rock is seen behind the trees - a great rounded mass of bare stone. The tree in front is a Papaw tree, showing the fruit. (Fisher).

321 x 191 mm. View looking over the rooftops at part of the town towards the great rock which is situated at the N end of Trichinopoly. The rock has a temple and a fort at its summit, built by a Madura prince between 1660 and 1670. The capital of successive Tamil kingdoms between the 10th and 17th centuries and located 180 miles SW of Madras, Trichinopoly was ceded to the British by the Nawab of Arcot in 1801. Bourne no. 2054.

319 x 189 mm. View from the Nawab's Palace looking across the town towards the famous rock fortress.

322 x 192 mm. View looking across the tank towards the rock, with domestic residences on the road running along the edge of the reservoir. Bourne no. 2057.

312 x 189. Duplicate of Y3022E/41. Photograph by Samuel Bourne, no. 2054.

Clayton’s account of the difficulties facing magistrates attempting to resolve disputes over the ownership of buffaloes (2 copies, 11 sheets).

An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.

Quarter-plate.

Contains prints, 290 x 235 mm (mounted on card) with printed captions are in a black leather bound album with 'Royal Visit to Gwalior, December 1905' on the cover; the Prince of Wales Feathers, the Arms of Gwalior and the Maharaja's signature 'M. Scindia Gwalior 1905' in metal are attached to the front cover.

Quarter-plate. Man in centre is Hindoo Tamil, others are Cinghalese. (Fisher).

A bound volume with padded covers containing photogravure reproductions of photographs by Barton Son and Company. There is a printed introduction (pages 2-10) describing the kheddah operations by M. Mutannah, Conservator of Forests, Mysore. Unless otherwise stated, the reproductions are 285 x 245 mm.; these appear on right-hand pages, one to a page

177 x 91 mm. General view of the elaborately carved teak buildings in which Thibaw, the last king of Burma, spent his novitiate years in the Buddhist priesthood.

Contains prints, 290 x 235 mm (mounted on card) with printed captions are in a black leather bound album with 'Royal Visit to Gwalior, December 1905' on the cover; the Prince of Wales Feathers, the Arms of Gwalior and the Maharaja's signature 'M. Scindia Gwalior 1905' in metal are attached to the front cover.

Contains prints, 290 x 235 mm (mounted on card) with printed captions are in a black leather bound album with 'Royal Visit to Gwalior, December 1905' on the cover; the Prince of Wales Feathers, the Arms of Gwalior and the Maharaja's signature 'M. Scindia Gwalior 1905' in metal are attached to the front cover.