Collection of monochrome postcards printed in collotype showing stuffed animals in the Natal Museum, Pietermaritzburg. Accompanying the postcards is a four page printed leaflet by the Director of the Natal Museum, Ernest Warren, dated April 1924 and entitled 'The need for the International protection of the African fauna.'

110 x 85 mm. View looking through a gate at a castle.

229 x 157 mm. A composition showing a profile of the Sphinx's head in the foreground with the pyramid beyond, and figures at the foot of the Spinx. According to Frith: 'The profile, as given in my view, is truly hideous'. This viewpoint occurs again and again in photographs of Gizeh pyramids, but it is interesting in that, when compared with a modern photograph of the same scene, it shows the degree of excavation that has been carried out in the area of the Sphinx.

72 x 93 mm. A view showing an incision being made in the bark of a rubber tree with the cutting end of a 'Funtumia knife'.

74 x 94 mm. A view showing the groove being deepened with the pricking end of the 'Funtumia knife'.

83 x 133 mm. Original print postcard.

95 x 74 mm. A view showing a white rhinoceros shot by Christy in order to capture its calf for the Antwerp Zoological Gardens.

95 x 74 mm. A view showing a white rhinoceros shot by Christy in order to capture its calf for the Antwerp Zoological Gardens.

95 x 74 mm. A view showing a white rhinoceros shot by Christy in order to capture its calf for the Antwerp Zoological Gardens.

100 x 74 mm. A view showing a white rhinoceros shot in the Bahr el Ghazal area (Nile-Congo Divide) [possibly Bahr al Ghazal in Sudan] by Christy, with two rifles laid against the stomach of the animal.

100 x 74 mm. A view showing a white rhinoceros shot in the Bahr el Ghazal area (Nile-Congo Divide) [possibly Bahr al Ghazal in Sudan] by Christy, with two rifles laid against the stomach of the animal.

100 x 74 mm. A view showing a white rhinoceros shot in the Bahr el Ghazal area (Nile-Congo Divide) [possibly Bahr al Ghazal in Sudan] by Christy, with two rifles laid against the stomach of the animal.

220 x 135 mm.

140 x 83 mm. Showing the 'Winifred' ( in service on Lake Victoria from 1903-1936) moored at Kisumu Pier. Kisumu, originally named Port Florence, was the terminal for the Uganda Railway on the eastern shore of Lake Victoria, and from here steamers ferried supplies and passengers across the lake to Entebbe.

The typewritten caption on the reverse reads 'They are seconded from the Agricultural and Education Departments. (left to right) King, Sawyer, Taylor, Williams, Wheldon, Evans and Mends'.

155 x 115 mm. Sepia. Back: Albert Mensah (Bailiff), Thomas Impraim (Correspondence Clerk), Rex Otupiri (Treasury Clerk), Kojo Nketiah(Messenger)
Front: James Hector Mayne (Chief Clerk and Registrar), William Vickery Fuller (D.C.), Peter Holmes Canham (A.D.C.).

Group portrait of staff.

99 x 75 mm. A view showing the wooden stagings of the fish traps. Photograph probably by Christy.

99 x 75 mm. A view showing the wooden stagings of the fish traps. Photograph probably by Christy.

98 x 75 mm. A view showing a section of the fisheries, with Africans seated on the rocks in the foreground.

96 x 73 mm. A view showing a section of the fisheries, with Africans seated on the rocks in the foreground.

232 x 155 mm. A view showing the two vast seated statues of Amenophis III which were erected in front of the mortuary temple, now disappeared. In the foreground are two Europeans and an Egyptian. The central figure (leaning on a rifle) is identified in 'Creative Camera' (December 1979) in a similar, though not identical view, as being Frith himself.