Africa (continent)
Found in 20095 Collections and/or Records:
The Ashantis on the Palaver ground the worship of Abriwah (fetish), 20 Aug. 1908, 1911 - 1929
Postcard.
The Assembly Hall, Mfantsipim, Cape Coast, 1930 - 1939
'No. 120' printed on bottom right corner.
The audience, 1898
159 x 112 mm. A view showing a large company of soldiers listening to the band of the Lincolnshire Regiment.
The auger is full and is being emptied into a Karai or head pan, 1934
40 x 65 mm.
The Avenue of Sphinxes at Karnak, 1921
241 x 193 mm. A view looking down on a section of the Avenue of Sphinxes which leads from the Temple of Mut to the Temple of Amenophis II at Karnac. Erected by Rameses II.
The Babies' class, 1930, 1930
A collection of 18 glass slides and 38 photographs. The slides were used by Hogbin to illustrate talks on her work when on furlough (leave of absence), and their captions were provided by her niece. The captions have been used as titles and have been recorded as found.
The Back Court, 1930
Collection of loose monochrome postcards of the Koopmans de Wet House in Cape Town. The house, originally lived in by Mrs Marie Koopmans de Wet, is a museum of South African national antiques.
The baggage column, 1898
76 x 77 mm. A slightly blurred view showing Cameron Highlanders marching beside loaded camels.
The Balancing Rocks (Giants' Playground), Salisbury [i.e. Harare] , 1954 - 1967
Showing the formation situated near the Epworth Museum.
The Bambatu, Mankon, 1937-12
62 x 102 mm. The Bambatu - one of the guests in his native hat of cotton in blue and white, which the men make themselves, has a 'quiet one' on his own.
The band of the Mulena Mukwae which has escorted the Paramount chief, a princess, into Council, 1945
The Bangwa girls love painting incredible designs all over their bodies, 1935 - 1936
‘The Banyoro and Acholi embassy to the Mahdists in 1898’, 1952 - 1970
Published and unpublished works on African history written by Gray, accompanied by research notes from archives and secondary sources.
The Bar and Bluff, Port Natal [i.e. Durban], 1879 - 1880
315 x 133 mm. Two prints joined. A view from the South Beach looking across the narrow entrance of the Bay of Natal towards the Bluff. With steamers and sailing ships lying outside the harbour bar.
The Bardo Museum, Tunis: Court of Lions, 1922
Measuring 220 x 285 mm, this album contains postcards, some of which are coloured. The majority portray Algiers (including 12 of the museum), Algerian people, Biskra, and the ruins of Timgad, Constantine, Tunis and Carthage.
The Barracks Freetown; Tower Hill, 1895 - 1911
145 x 100 mm. The Barracks are in the distance, not only small but very faded.
The Barracks, Mahebourg, from the Cemetery, 1853
pencil sketch
The bashful Adjutant, Grenadier Guards, 1898
76 x 77 mm. A photograph of the Guards Adjutant (? Lieut. Ernest Gascoigne) holding a fly whisk in front of his face.
The Bassahene arrives, 1939
85 x 60 mm. Bassa.
The Bassahene's umbrella-bearers, 1939
85 x 60 mm. Bassa.
The bathing pool, Sunni, 1942-06-11
125 x 125 mm. Showing a woman wearing a bathing suit stood in a rock pool.
The Baths, Montagu, Cape, 1925
190 x 138 mm. Showing the buildings attached to the mineral water springs at Montagu with a group of patients and nurses posed in the forecourt in front of the buildings.
The Bay, Port Natal [i.e. Durban], 1879 - 1880
206 x 139 mm. A view looking down on ships at anchor at The Point in the Bay of Natal with warehouses and jetties on the shore, sandbanks beyond and part of the town of Durban in the background.
The beach at Black River, 1960 - 1969
241 x 193 mm. View from the sea looking towards the beach, with mountains in the distance.
The beach at Suez, 1902 - 1910
An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.