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205 x 154 mm. Showing part of the harbour with boats in the foreground and the Rock beyond.

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Quarter-plate.

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents

Quarter-plate (landscape format). [Showing boats along beach and cliffs above].

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Quarter-plate. Hauling boat in.

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Half-plate. [Showing man in boater hat walking along road with over hanging trees on the right, and woman seen in 6011 standing beside the wall in far left].

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents

Sepia drawing.

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

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Quarter-plate. [Showing two groups of children].

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Quarter-plate. [Showing two groups of children].

Scope and Contents Manuscript diary illustrated with albumen prints, two albums, and loose prints. This material all relates to the Lovett and Egerton families. The following indicates the main individuals concerned:Col. Thomas Heaton Lovett (1871-1892) of Belmont (later Henlle Hall) Salop, had a brother John Richard (see Y3022PP/13), and four sons and six daughters. Of these:The eldest son, Hubert Richard (1854-1908), was educated at Cheltenham College and joined the 60th Rifles in 1873. ...

Scope and Contents From the Series:

Frome created a series of sketchbooks of various formats during his travels. Numbers 1 (Canada) and 4-5 (Mauritius) were missing when the collection came to Cambridge. The RCS sold numbers 2-3 (Australia) to the Art Gallery of South Australia in 1970. Numbers 6-7 and 11 had never been presented to the society. The great majority of the contents of the seven sketchbooks listed below had been removed in London, leaving only a few rough pieces.

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57 x 162 mm. A sketch of the lamp post.

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Material relating to Louise Childers (b. 1857).

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Quarter-plate (landscape format).

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Images of the 'Dunnottar Castle', the white cliffs of Dover and Gibraltar.

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Quarter-plate. [View out across the water dotted with boats].

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Quarter-plate. [Showing large houses and wrought-iron fence and a few pedestrians].

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113 x 177 mm. A view looking along the narrow, stone-sided path at the entrance to the Galleries.

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Quarter-plate. Focussed for distance.

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Quarter-plate. Focussed for near view. These wo should be printed together.

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An undated print of an engraving by Timothy Cole 'from the original picture by Sir Joshua Reynolds', printed by the London Printing and Publishing Company Limited.

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Quarter-plate (landscape format). [Rock caves].