Scope and Contents From the File: Contains prints, of an approximate size of 80 x 100 mm, mounted on card, six to a page, in a padded black leather album inscribed on the cover India 1905-06 from C.C. and 'Photographs taken by Sir Charles Cust Bt. 1905-06' is written on the fly leaf in Queen Marys hand. Sir Charles Cust took this collection of amateur photographs while accompanying the Royal Party. Most of the photographs have elegant hand-written captiions, but these are not always very explicit - some portraying...

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Half-plate (landscape format). View from the top of Landour, above Mussoorie - afternoon.

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Half-plate (landscape format). View from the top of Landour, above Mussoorie - morning.

Scope and Contents From the Sub-Series: Monochrome postcards. The geographical locations of the cards, together with their publishers, breakdown thus:1-9 Calcutta (various anonymous publishers)10-57 Agra (K. Lall and Co.)58-59 Benares (also known as Varanasi - Saeed Bros.)60-75 Lucknow (Omaid Singh and Sons)76-91 Delhi (Lal Chand and Sons, Dariba, Delhi)92-123 Lahore and Amritsar (Punjab Religious Book Society, Lahore)124-129 Burma130-135 Ceylon (now Sri Lanka) coloured (Plate and...

Scope and Contents From the Series:

An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.

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Half-plate (landscpae format). From the platform of the Jamma Masjid, Lucknow.

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Half-plate. White marble spandrils but white plaster inside: most of the building red standstone.

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Half-plate.

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Quarter-plate (landscape format). Marble lattice work. (Fisher).

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Sub-Series: Monochrome postcards. The geographical locations of the cards, together with their publishers, breakdown thus:1-9 Calcutta (various anonymous publishers)10-57 Agra (K. Lall and Co.)58-59 Benares (also known as Varanasi - Saeed Bros.)60-75 Lucknow (Omaid Singh and Sons)76-91 Delhi (Lal Chand and Sons, Dariba, Delhi)92-123 Lahore and Amritsar (Punjab Religious Book Society, Lahore)124-129 Burma130-135 Ceylon (now Sri Lanka) coloured (Plate and...

Scope and Contents

240 x 150 mm. The Baradari is in the centre; the square is surrounded by the town houses of taluqdars, or estate holders of Oudh.

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Half-plate. A copy of a sacred place in Baghdad.

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Half-plate (landscape format).

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Half-plate (landscape format).

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Quarter-plate.

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Quarter-plate.

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Quarter-plate.

Scope and Contents From the Series:

An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents

240 x 150 mm. As Constantia, it was built to the designs of Claude Martin, a former French officer who later served the East India Company

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...