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A view from the roadside looking along the river, with farmland and woods on the banks, and a small church in the middle distance.

Scope and Contents

A view of the river from the bank, showing an iron bridge with four spans, with a village on the left bank.

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A view of seven walkers posing for the camera on the fenced path cut into the sheer and massive rockface. In the background is the wooded valley floor, with other rock faces rising up.

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A view of a small country road among woods, with a pony trap on the far side of a small wooden bridge.

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Landscape format. [Two on horseback riding along the road with car tracks in the dust].

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Landscape format. [Horses in the distance on the rough land].

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A view looking down on to the road, on which is a pony trap, towards the river beyond.

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A view of the road in dense forest, showing a car with two occupants on the road and three women, a man and a child by the side of the road.

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A view showing a herd of horses in a field, with a farm building behind.

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A view of a herd of horses in a field.

Scope and Contents

350 x 274 mm. A view showing a herd of horses in a field, with a farm building behind.

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A view of a large flock of sheep in front of a waterhole on lightly wooded pastureland.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

195 x 150 mm.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

190 x 140 mm. A view of the rock rising above the trees, with mountains in the distance.

Scope and Contents

285 x 225 mm. A view of the lone rock, rising above the trees out of Jamieson Valley.

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3 year old birds. [Man with four birds].

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[Man with group of ostriches].

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Landscape format. South Head Farm, Sydney.

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Landscape format. South Head Farm, Sydney.

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Landscape format. South Head Farm, Sydney.

Scope and Contents

190 x 140 mm. A view looking down Oxford Street, which runs south-east from Hyde Park, showing the busy commercial street, with pedestrians, a stage coach and a steam tram (an amazing contraption towing a double-decker passenger car. These were introduced in 1879 when it was decided that the old horse-drawn trams, with their raised lines, impeded other traffic. By the end of the century Sydney had 100 miles of tramways).

Scope and Contents

770 x 340 mm. Composed of three joined photographs.