250 x 194 mm. glossy print.

206 x 150 mm. glossy print.

Duplicate at CMS 12/2/20. Uganda Protectorate Department of Information.

206 x 150 mm. glossy print.

102 x 77 mm. A view looking upstream along the Aringa River in northern Acholi.

56 mm. glossy print and negative.

82 x 82 mm. glass slides with brief, undated captions from K.H. Buxton, who is probably Kathleen Hannah Buxton (1905-1999), daughter of Reverend Leonard Buxton, the Vicar of North Mimms, Hertfordshire.

210 x 160 mm.

215 x 165 mm.

Audio cassette of a recoding made by Wilkinson.

Showing Powell in his camp. The caption continues: 'Taken by Jean-Paul'.

Showing Powell in his camp. The caption continues: 'Taken by Jean-Paul'.

55 x 50 mm.

Showing an unidentified figure holding two monkeys.

85 x 82 mm. Showing Bell being carried head high on a wooden stretcher by four white robed Africans, presumably servants of Kahaya.

Showing Bell being carried head high on a wooden stretcher by four white robed Africans, presumably servants of Kahaya.

155 x 200 mm. A view from inside the front gate, looking out at two men talking.

160 x 210 mm. A view from behind a robed man looking out from the entrance of the chapel, he is holding a processional cross (a gift from Ethiopia) before him.

160 x 210 mm. A view from behind a robed man looking out from the entrance of the chapel, he is holding a processional cross (a gift from Ethiopia) before him.

82 x 82 mm. glass slides with brief, undated captions.

'Pouring rain. Cook's shelter under corrugated pent-house.'

A collection of autograph letters with a list compiled by Bell. Those of particular interest include eight letters from Neville Chamberlain, whom Bell met in the Bahamas in 1895, and nine letters from Robert Dolbey, the army medical officer and Professor of Surgery at the University of Cairo, whom Bell appointed as his literary executor (circa 150 sheets).

Colour.

Showing two women standing beside a thatched canopy with a car in the background.

'Attempt at sketching terminus of Uganda railway and our four tents.' The watercolour shows railway sheds and trucks, and identifies which missionaries slept in the individual tents.