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112 x 80 mm. A view from the sea looking towards the hills behind Funchal.

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94 x 57 mm. A general view of Funchal with the bay in the background.

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232 x 172 mm. A general view of part of the town of Funchal and the surrounding coastline.

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82 x 54 mm.

Scope and Contents An album containing amateur prints of indifferent quality and a few commercial postcards. Its main interest is as a record of domestic life in a white family in German East Africa during the first decade of the twentieth century. The family was apparently based at Amani and may have been named Unger (see prints 115 and 116). There are hand-written captions on the backs of some of the photographs and these have been used as the basis of the following captions. However, the writing is...

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309 x 87 mm. A panoramic view from the mountain summit with a figure standing at the right of the print (possibly Christy). Photograph possibly by Christy.

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233 x 175 mm. A view showing farm workers tying harvested sugar canes into bundles in a field. Photograph by M.O. Perestrello.

Scope and Contents Manuscript diary illustrated with albumen prints, two albums, and loose prints. This material all relates to the Lovett and Egerton families. The following indicates the main individuals concerned:Col. Thomas Heaton Lovett (1871-1892) of Belmont (later Henlle Hall) Salop, had a brother John Richard (see Y3022PP/13), and four sons and six daughters. Of these:The eldest son, Hubert Richard (1854-1908), was educated at Cheltenham College and joined the 60th Rifles in 1873. ...

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277 x 220 mm. A view looking along the three hundred foot wide Avenida da Liberdade with its tree lined walks forming Lisbon's chief promenade. The avenue leads off from the N.W. corner of Rossio Square. The monument in the foreground presumably commeorates Portugese freedom from Spanish rule. On the print itself is the following typescript caption: 'Lisbonne. Avenue de la Liberte'. It is also numbered 183 and is printed with the (photographers) initials 'L.L.'

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279 x 224 mm. Showing the battlements of the ruined Moorish castle on the hillside above Sintra, with parts of the town visible below.

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211 x 273 mm. Showing the ornately decorated altar of the chapel, set in an arched recess. The chapel was built in the eighteenth century by John V.

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278 x 224 mm. A view loking up towards the battlements and domes of the fortified Chateau de la Pena, standing at the summit of a tree covered hill. On the print itself is the following typescript caption: 'Cintra. Chateau de la Pena. Vue d'ensemble' It is also numbered 240 and is printed with the (photographers) initials 'L.L.'

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221 x 278 mm. Showing the magnificantly carved entrance archway to the Chateau, with a stone figure above the arch supporting a bow window on the face of which a delicate tracery of foliage is sculpted. On the print itself is the following typescript caption: 'Cintra. Chateau de la Pena. Cour ?D'Honneus.' It is also numbered 239 and is printed with the (photographers) initials 'L.L.'

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218 x 275 mm. Showing the ornate Moorish entrance to the palace, fronted by a fountain.

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278 x 223 mm. Showing women traders in the open market, with rows of fish laid out on the ground beside them. On the print itself is the following typescript caption: 'Lisbonne. Le Marche aux Poissons'. It is also numbered 199 and is printed with the (photographers) initials 'L.L.'

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278 x 220 mm. Showing the front facade of the station at Sintra, a handsome marble building in mixed Moorish style. The town is situated 14 miles W.N.W. of Lisbon. On the print itself is the following typescript caption: 'Lisbonne. La Gare de Cintra'. It is also numbered 196 and is printed with the (photographers) initials 'L.L.'

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277 x 222 mm. Showing the garden and cloisters of the Mosteiro dos Jeronimos. Thge monestrym built in the Manueline style, was started in 150 to commemorate Vasco da Cana's voyage to India.

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276 x 222 mm. A view looking across the patterned mosaic stretch of the Place Don Pedro toward the fountain and statue mounted on a column which stand at its centre. Also known as Rossio Square, it is linked to the Praca do Comercio by Rua Augusta. On the print itself is the following typescript caption: 'Lisbonne. Place Don Pedro'. It is also numbered 181 and is printed with the (photographers) initials 'L.L.'

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223 x 279 mm. A view looking along the commercial Rue Augusta, with a crowd of people in the foreground watching the photographer and horse trams in the roadway beyond. The triumphal arch leading into Praca do Comercio can be seen at the far end of the street. On the print itself is the following typescript caption: 'Lisbonne. Rue Augusta'. It is also numbered 185 and is printed with the (photographers) initials 'L.L.'

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110 x 75 mm cutting.

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150 x 200 mm. A view of the Loo Rock, Funchal.

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220 x 170 mm. View of Funchal.

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224 x 168 mm. View of Funchal.

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104 x 295 mm. A street scene in Funchal with carros (sleds).

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205 x 140 mm. A view of a carro (street sled usually drawn by bullocks) in Funchal.