Asia (continent)
Found in 16196 Collections and/or Records:
Screen enclosing sarcophagi, in the interior of the Taj, 1860 - 1869
203 x 283 mm. View showing the screen of inlaid and pierced marblework surrounding the sarcophagi of Shah Jahan and Mumtaz-i-Mahal inside the Taj Mahal. The tombs themselves can be seen through the doorway in the screen although, as is usual in Indian sepulchres, the bodies themselves rest in a vault beneath plainer tombstones in the hall below. Bourne no. 1231. Duplicate at Y3022B/126.
Screen, interior of Taj, 1860 - 1869
202 x 278 mm. Duplicate of Y3022D/24.
[Scroll], 1881
281 x 92 mm. A view of a scroll with writing in the Cypriot syllabery.
[Sculpture at Angkor Wat], 1926-03
60 x 105 mm. A close up of a detail of carved stone at Angkor Wat, visited by Bell in March 1926.
Sculptured Column Teli Mandir, Gwalior, 1874 - 1910
130 x 200 mm. No. 1336.
[Sculptured slab: banquet scene], 1900
206 x 148 mm. A studio photograph of a banqueting scene, carved in (?) Cypriot style imitating Hellenic models.
[Sculptured slab: Heracles and the Cattle of Geryon], 1900
211 x 163 mm. A studio photograph showing a scene carved in (?) Ancient Cypriot style with Egyptian influence.
Sculptures of Wamana Temple, Khajraha, 1874 - 1910
200 x 135 mm. No.1495.
Sea Dayak, 1912
Glass plate slides to illustrate a talk given by Cunynghame to the Royal Scottish Geographical Society. A transcript of the lecture, comprising a title page and 58 pages of text, is stored at RCMS 63/22.
Sea Dayak, 1912
Glass plate slides to illustrate a talk given by Cunynghame to the Royal Scottish Geographical Society. A transcript of the lecture, comprising a title page and 58 pages of text, is stored at RCMS 63/22.
Sea Dyak, 1900
103 x 146 mm. Half-length profile portrait of a long haired Sea Dyak warrior. This man, posed to show the tattooing on his arms and torso, also appears at the right of the group in Y3035A/55.
Sea Dyak, 1900
104 x 147 mm. Half-length, full-face portrait of a Sea Dyak woman. She wears a head dress and is dressed in the characteristic costume of hoops of rattan cane from which coin shaped ornaments hang. The woman also wears beaten metal bracelets from wrist to elbow of both arms.
Sea Dyak, 1900
103 x 147 mm. Head and shoulders profile portrait of a Sea Dyak man. He wears a headband and a necklace of metal bell-shaped ornaments. His hair is cropped in a short fringe to the ears and grows long at the back.
Sea Dyak cloth, showing the ‘hundred’ pattern, 1900
104 x 147 mm.
Sea Dyak coat worn by men, 1900
106 x 91 mm. Display of an embroidered Iban jacket.
Sea Dyak currency: gongs and jars, 1900
147 x 104 mm. Showing a row of labelled jars, with gongs in the foreground. Photograph probably taken in the Sarawak Museum.
Sea Dyak ear ornaments, 1900
77 x 96 mm. Display of Iban earrings.
Sea Dyak fiddles, 1900
97 x 84 mm. Display of four musical instruments.
Sea Dyak house in course of construction, 1900
147 x 104 mm. Showing the basic wooden structure of a Sea Dyak longhouse.
Sea Dyak tattooing [? 1950s], 1950 - 1959
152 x 192 mm. Showing a Dyak man applying tattoos.
Sea Dyak woman, 1900
104 x 148 mm. Half length, full face portrait of a Dyak woman.
Sea Dyaks, 1900
103 x 74 mm.
Sea Dyaks, 1900
148 x 104 mm. Group portrait of four Sea Dyak men and youths. All the figures wear hornbills’ feathers in their head dresses, the central warrior carrying in addition a spear and a shield tufted with the hair of slain enemies.
Sea Dyaks cock fighting, 1900
148 x 103 mm. Showing two Dyaks seated facing each other with their birds held in front of each other.
Sea Gate of the Fort, 1880 - 1889
279x219mm. View from the beach looking towards Fort St George. On the skyline rises the steeple of St Mary's Church, consecrated in 1680 and consequently the first Anglican church in the east. Photographer unknown, probably John P Nicholas and Co.