England (country)
Found in 2304 Collections and/or Records:
Council Room with new furniture, 1957
This lighter, more flexible furniture, replaced the heavier Malayan gift which was loaned to the University of Kent. 242 x 187 mm.
Council Room without the portraits, and facing directly towards the Chairman’s seat, 1957
260 x 200 mm. Reproduced in 'The Royal Empire Society: the Story of its Home', (1957), p.21.
Country church, 1885 - 1890
103 x 71 mm. A view showing an unidentified church and graveyard.
Country churchyard, 1885 - 1890
158 x 104 mm. A view showing the graveyard and exterior of an unidentified country church.
C.R. Attlee, Peter Fraser, Habib Ibrahim Rahimtoola (High Commissioner, Pakistan), W.J. Jordan (High Commissioner, New Zealand), and Liaquat Ali Khan (Premier of Pakistan) at the Prime Ministers’ Meeting, Oct. 1948, 1948
252 x 202 mm.
C.R. Attlee with Jawaharlal Nehru in the garden at 10 Downing Street, Commonwealth Prime Ministers’ Meeting, London, Apr. 1949, 1949
202 x 260 mm.
Craignithen Castle, 1880 - 1920
181 x 132 mm.
[Crantock], 1936
50 x 51 mm. An elderly lady seated in a chair with a handbag, probably at Crantock.
[Crantock], 1936
51 x 50 mm. A row of trees, probably at Crantock.
Crantock, 1936
50 x 48 mm. A woman on a beach holding a ball.
Crantock, 1936
49 x 44 mm. A man on a beach.
Crantock, 1936
50 x 48 mm. A view of the coastline.
Crantock, 1936
53 x 49 mm. A man and two women riding surf boards in the sea.
Crantock, 1936
50 x 53 mm. A view of the coastline.
[Crantock], 1936
50 x 47 mm. A view of the coastline, probably at Crantock.
Crantock, 1936
50 x 47 mm. A man and a woman standing on a beach.
Credulity, Superstition, and Fanaticism, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Credulity, Superstition, and Fanaticism, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
[Crimean War Memorial at the Artillery Barracks, Woolwich, 1860s], 1860 - 1869
182 x 233 mm. Showing two soldiers standing at the base of the statue by John Bell; it is a female figure representing Liberty (or possibly Victory), 9 feet high, on a 16 foot grey granite pedestal with four bronze shields. It was erected in 1860 to commemorate Artillerymen killed in the Crimean War 1854-56. The print is stamped: 'Photo. Estab. War Dept.'
Cromer beach, 1863 - 1896
90 x 83 mm.
Cromer, Norfolk, 1880, 1880
208 x 131 mm. A view looking along Cromer beach towards the pier with a few holiday makers seated on the shingle near some beached boats.
Cropped print of RCS/II/b/3, 1920
115 x 188 mm.
Crowborough, July 1915, 1915-07
111 x 60 mm. Showing Bell standing on a tennis court with four unidentified figures.
Cruise of H.M.S. 'Lancaster'
Cudden Point. Cornwall, 1920
58 x 67 nm.