Scope and Contents Transcripts made by Marsh's son Edward of his father's diaries, which Marsh had started to write in 1765, with some loose notes describing particular volumes. Nos. 1-3 are missing. No.4 1768-1770 (pp.273-368); No.5 1770-1773 (pp.369-460); No.6 1773-1776 (pp.461-556); No.7 1776-1779 (pp.557-648); No.8 1779-1781 (pp.649-740); No.9 1781-1783 (pp.741-836); No.10 1783-1785 (pp.837-932); No.11 1785-1787 (pp.933-1024); No.12 1787-1790 (pp.1025-1112); No.13 1790-1794 (pp.1113-1204); No.14 1794-1799...

Scope and Contents (9) Leopold Stokowski to Ida Krehm, 6 March 1968; (10) Arthur Bliss to Mr Davis (?), 2 October 1971; (11) Adrian Boult to J. Littleton of Novello and Company, Ltd, 12 October 1971; (12) Charles Groves to the Hire Librarian, Novello Hire Library, 11 July 1980; (13) Alan Bush to Messrs Godwin and Tabb, c/o Messrs Novello and Company, 27 December 1980; (14) Alan Bush to Messrs Novello and Company, 4 August 1984; (15) John Lanchbery to Arthur [Bliss], 1 October, no year; (16) László Heltay...

Scope and Contents

A reference-list of the exercises for the Degrees of Bachelor and Doctor of Music between the years 1875 and 1910, arranged in columns as follows: 1) name of recipient of degree; 2) degree; 3) date; 4) reference number of exercise. The names are in alphabetical order. The reference numbers are those of the University Library, where the exercises are kept. There are 22 folios.

Scope and Contents Madrigals for four voices by Luca Marenzio, copied from the edition published at Venice 1592 in the hand of T. Greatorex, F.R.S., F.L.S. Organist of Westminster Abbey (+1831). On fo. i appears the following note: 'This fine Score of Luca Marenzio's Madrigals, published in parts, 1592, at Venice, is in the handwriting of T. Greatorex, F.R.S., F.L.S., Conductor of the Concerts of Antient Music, Organist of Westminster Abbey, etc., etc. His collection of music, etc., was sold by Watson, at...

Scope and Contents

Comprises scores for: (/1) 'The Fish in the Sea'; (/2) 'Yobbo Nowt' (photocopy); (/3) 'Lay-Off'; and (/4) 'Bitter Apples' (photocopy, with a covering note by Brown).

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(fo. 1) 'Lord, let me know mine end', scored for four voices and bass, many printed editions; (fo. 5v) 'Bow down Thine ear', scored for six voices; (fo. 13v) 'O Praise the Lord all ye heathen', scored for four voices, written from end of volume; (Fo. 1) 'A Funeral Anthymn by Maurice Green For 4 voices to a Walking Thorough Base The Finest Anthymn that Ever was Made'; (Fo. 12) 'By Mr Maurice Green The Kings Organist & Organist of St Pauls.'

Scope and Contents Collection of short musical pieces, probably copied from printed editions. Among them the following: (p. 8) anon: Pastoral Dialogue, published c. 1760, c. 1765, c. 1770; (p. 23) T. A. Arne: 'When daisies pied', from As You Like It, published c. 1750; (p. 25) the same: 'Blow, blow, thou winter wind', from the same, published c. 1750, c. 1765; (p. 29) G. F. Handel: 'See the conquering Hero comes', from Judas Maccabaeus, first published 1747; (p. 65) anon: 'Adieu to the Village Delights',...

Scope and Contents

On the flyleaf is written 'For the bass vyall'. Leaves 1-11, 19-25, 33 and 40-42 contain the bass part of a number of dance tunes: this portion of the manuscript is written in the notation semibreves, minims, etc., but without bars. Leaves 12-18 and 26-27 contain music in similar notation to that in MS Dd.02.11. The remaining leaves are blank. For the recorder part to many of these pieces, see MS Dd.05.21.

Scope and Contents

Contains the recorder part of most of the music whose bass is in MS Dd.05.20.

Scope and Contents Most of the leaves contain on each page seven staves of music. The notation and the character of the music in this volume is the same as in MS Dd.2.11. The music is generally harmonized, in which case the staves contain six lines; when only the melody is given, the staves contain five lines only. On leaf 64 there is a melody written in a later hand and in the more modern notation of breves, minims, etc. On leaf 66 there is an index headed 'Lessons in this book'. The airs or melodies are...

Scope and Contents

Music, of a similar kind to that in MS Dd.02.11 ('pavans, galliards, marches and songs').

Scope and Contents

Each page is ruled for five staves of four-line music. On 56 of the pages there are harmonised dance-tunes, similar to those in MS Dd.02.11; the remaining pages are not used.

Scope and Contents

Music, of a similar kind to that in MS Dd.02.11 ('pavans, galliards, marches and songs'). The last two leaves give the notes and clefs used in the modern notation, together with a scale-exercise for the harpsichord.

Scope and Contents

Each page is ruled for four lines of music. The first 19 and the last 26 leaves contain dance-tunes and 'ayres' written on staves of six lines; the remaining leaves are blank. The notes to be played are indicated by letters between the lines, the length of the notes is marked by minims, etc., above the staves.

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Index of Manuscript Music for Lute, Cither, Recorder, Violin, Bass Viol etc. by Ralph Griffin F. S. A., copied from R. Griffin's manuscript catalogue by A. F. Scholfield and D.N. Walker, written on slips in pencil. 157 folios.

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Antiphons and hymns with notation sung at chief festivals through the year in Florence Cathedral. Large artificial hand of the 18th Century with a later, rougher hand at p. 90v. 110 pages.

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A catalogue of writers on music and sound in general, arranged in alphabetical order, with the entries in various languages, 52 folios. The catalogue was compiled by Robert Willis, and based upon earlier lists. The books that were in Willis' possession are marked as such. There are additions by John Willis Clark, including a list of three books on dancing (fo. 51v). There are also additional entries by Willis on the versos.

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Includes sketch book containing sketches of Swiss mountain scenery, lists of letter writers in CUL MS Add.6247, various music copied by, or associated with, Mary Anne Bacon and music composed by Sedley Taylor.

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Autograph. 58 folios

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Performed at Cremona.

Scope and Contents The tones are shown applied to various parts of the Catholic liturgy, with musical notation throughout, saves where prayers intervene. Headings and initials are in red or green ink, with occasional ornate coloured initials and use of decorative flowerwork. Following p. 104 are 40pp of printed devotions titled Bona Mors: or A Preparation for a Happy Death, n.p., 1737, parts of which carry a musical accompaniment. A ref. on p. 73 of the MS shows that the MS was designed to be bound with this...