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Authors include Sir Henry Purcell, George Handel, Sir Walter Scott and Lord Byron.

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With accounts and programmes, 53 folios.

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Chants arranged in order from first to last day of the month and comprising chants for the Venite and Psalms for the day. The name of the composer is written over each. The majority of the chants are published.

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Diaries, writings on the history of music in Cambridge and the history of the Vatican library, correspondence and papers on Ximénès Doudan, Caspar von Kinschot and Reyner Wolfe.

Scope and Contents Chorale Directorium, in an elaborate Italian hand in imitation of print, 14 folios. A collection of the prayers, antiphons, etc., sung on festivals and other occasions by the choir of the Ducal Convent at Venice. On fos 2v and 11v a few prayers are added in another hand. Most headings and a prayer on fo. 10 are in Italian. The headings and most initials are in gilt lettering. Other initials are in green. Each page has a rectangular border in gold or green. The lettering of the title-page...

Scope and Contents The collection contains papers relating to all work undertaken by Colin Matthews as a result of his input into the 1976 publication of the Mahler Tenth Symphony (specifically, revised scores on movements II and III marked up for the copyist) and from his work on the posthumous Cooke publications 'Vindications', 'Gustav Mahler', and 'I Saw the World End'.Contents include photocopies of many Cooke pieces (lecture scripts, talks, programme notes, sleeve notes, articles, etc.)...

Scope and Contents On 6-line stave. Named pieces include: Anthony Holborne, 'Cradle of Conceits'; John Dowland, 'Piper's Pavan and Galliard', 'Lachrymae', 'Pavan', 'A fancy'; W. Hollis, 'John Blundevill's last farewell'; M. Cavendish, 'Galliard'; K. C., 'An answer to cuckoo', 'Lachrymae', 'A fancy'; John Daniell, 'Monsieur's Almayne', 'Rosa'; Thomas Robinson, 'Spanish pavan'; 'Fantasia Laurincini'; several preludes and exercises; 'Robin Galliard'; S. T., 'Pavan' and 'Galliard'; 'Fantasia Newsadlers'; 'Frog...

Scope and Contents Collection of music, various years. Various hands. In English, German and Latin. 1. 11.5 x 8 in. 2 leaves. c. 1580. Song: 'Comes there any mo knaves', with copy of words made by F. J. H. Jenkinson and copy of words and music harmonised in 3 parts made by E. J. Dent, 21 Jan. 1901; 2. 2 leaves. 20th cent. Transcript of F. Pilkington, 'George Pilkington's Funeral' from CUL, MS Dd.2.11, fo.6 (lute music), made by W. C. Denis Browne; 3. 10 leaves. c. 1853. Draft of part of what appears to be an...

Scope and Contents A collection of transcripts of songs and airs from operas, published circa 1780, with one or two instrumental pieces. In two hands, one apparently Italian, and one possibly that of an English lady. Comprising among others the following: (fo. 9) J. Christian Bach: 'In this shady blest Retreat' (1775?); (fo. 12) B. Cooke: 'Hark, hark the Lark'; (fo. 26v) anon: 'My lodging is on the cold ground' (1780?); (fo. 38) P. Anfossi: 'Negl' Elisi ombra onorata' (1775?); (fo. 43) G. F. Händel:...

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(fo. 1) 'Beatus vir', first violin part; (fo. 3) 'Messa Greve' for four voices and instruments; (fo. 47) the same: voice and instrument parts in sequence; (fo. 114) 'Domine' for four voices, violins and trombones; (fo. 144) 'Dixit' for four voices, violins and trombones; (fo. 196) 'Beatus Vir' for four voices, violins and horns; (fo. 246) 'Magnificat'; (fo. 264) 'Credo' for four voices with instruments. Inside front cover bookplate with the letters 'MLThC'.

Scope and Contents The papers contain little relating to Dent's early life, his family or his work as a music professor. The bulk of the collection concerns his work as a translator of operas and as a music journalist and author. There are a small body of papers relating to his involvement with Sadler's Wells and Covent Garden opera houses, and to his presidency of the International Music Research Society and the International Society for Contemporary Music. Among Dent's own research papers are his transcripts...

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Concertos for two violins, viola and bass. (fo. 1) Op. 2; (fo. 22v) Op.3. Six concertos in seven parts, op. 2, published in London 1732, and Paris, 1755, in score. Six concertos, op. 3, London and Paris 1755. This copy was probbaly made from the printed edition of c. 1760. 43 fos. 14.75 x 10.75 in.

Scope and Contents Bass parts to instrumental trios and quartets. The following composers' names and titles occur: (fo. 5) 'Mr Baptist ground'; (fos 6, 7v) 'Mr Hillton'; (fos 8, 14v, 15, 17, 18v, 42v) 'Mr Babtist'; (fos 9, 11v, 19v, 20, 40v) 'Mr Farmer'; (fos 12, 14, 25v) 'Mr Peasable'; (fo. 12v) 'Round'; (fos 15v, 16) 'Mr Staggins'; (fo. 17) 'Mr Farranell'; (fos 20v, 29, 34) 'Hornpipe'; (fos 24v, 38) 'Mr Farmer's overture'; (fo. 32) 'Corant'; (fos 32, 35) 'Farewell'; (fo. 32v) 'Mr Babtist's chocone'; (fo....

Scope and Contents The collection contains letters and papers relating to the life and career of Hugh Fraser Stewart and to the lives of the members of his family. The papers include correspondence of Stewart's wife Jessie, and of her father, mother and sisters. There is also correspondence of Stewart's brother-in-law Francis Jenkinson, as well as papers acquired by Stewart for his Memoir of the late librarian, published in 1926. The Stewart and Crum families's shared interest in music is represented in the...

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At the end is a prayer for Charles Emmanuel [I], King of Sardinia. Rubrics in English, suggesting origin in an English convent in the Kingdom of Sardinia. Initials in gree, red, or blue, with occasional decoration. Inside front cover and at foot of p.1: 'Henry Asnon' (18th cent. hand). p. 132: 'T. Scoles's Book of the Gift of Unkle Asnon, Septr 15th 1793'. 66 fos. 7.25 x 4.75 in.

Scope and Contents (fo. 1v) blank; (fo. 2v) 'Povere mie speranze'; (fo. 3v) 'So' che vauti un core ingrato so''; (fo. 5v) 'Donne vegni al balcon che l'orbo'; (fo. 6v) 'La violetta vergognosetta'; (fo. 7v) 'Ah ritorna e ta' dell' oro alla terra'; (fo. 8v) 'Dormia sul margine d'un ruscelletto supinae'; (fo. 9v) 'Pur nel sonno al mentalora vien cole'; (fo. 10v) 'Rondi nella amira pieta fula dolce sua'; (fo. 12v) 'Sulla piazza miei signori ecco qua l'onto'; (fo. 13v) Ho sparso tante lagrime per animo lirti'; (fo....

Scope and Contents Transcripts made by Marsh's son Edward of his father's diaries, which Marsh had started to write in 1765, with some loose notes describing particular volumes. Nos. 1-3 are missing. No.4 1768-1770 (pp.273-368); No.5 1770-1773 (pp.369-460); No.6 1773-1776 (pp.461-556); No.7 1776-1779 (pp.557-648); No.8 1779-1781 (pp.649-740); No.9 1781-1783 (pp.741-836); No.10 1783-1785 (pp.837-932); No.11 1785-1787 (pp.933-1024); No.12 1787-1790 (pp.1025-1112); No.13 1790-1794 (pp.1113-1204); No.14 1794-1799...

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A reference-list of the exercises for the Degrees of Bachelor and Doctor of Music between the years 1875 and 1910, arranged in columns as follows: 1) name of recipient of degree; 2) degree; 3) date; 4) reference number of exercise. The names are in alphabetical order. The reference numbers are those of the University Library, where the exercises are kept. There are 22 folios.

Scope and Contents Madrigals for four voices by Luca Marenzio, copied from the edition published at Venice 1592 in the hand of T. Greatorex, F.R.S., F.L.S. Organist of Westminster Abbey (+1831). On fo. i appears the following note: 'This fine Score of Luca Marenzio's Madrigals, published in parts, 1592, at Venice, is in the handwriting of T. Greatorex, F.R.S., F.L.S., Conductor of the Concerts of Antient Music, Organist of Westminster Abbey, etc., etc. His collection of music, etc., was sold by Watson, at...

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Comprises scores for: (/1) 'The Fish in the Sea'; (/2) 'Yobbo Nowt' (photocopy); (/3) 'Lay-Off'; and (/4) 'Bitter Apples' (photocopy, with a covering note by Brown).

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(fo. 1) 'Lord, let me know mine end', scored for four voices and bass, many printed editions; (fo. 5v) 'Bow down Thine ear', scored for six voices; (fo. 13v) 'O Praise the Lord all ye heathen', scored for four voices, written from end of volume; (Fo. 1) 'A Funeral Anthymn by Maurice Green For 4 voices to a Walking Thorough Base The Finest Anthymn that Ever was Made'; (Fo. 12) 'By Mr Maurice Green The Kings Organist & Organist of St Pauls.'

Scope and Contents Collection of short musical pieces, probably copied from printed editions. Among them the following: (p. 8) anon: Pastoral Dialogue, published c. 1760, c. 1765, c. 1770; (p. 23) T. A. Arne: 'When daisies pied', from As You Like It, published c. 1750; (p. 25) the same: 'Blow, blow, thou winter wind', from the same, published c. 1750, c. 1765; (p. 29) G. F. Handel: 'See the conquering Hero comes', from Judas Maccabaeus, first published 1747; (p. 65) anon: 'Adieu to the Village Delights',...

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Index of Manuscript Music for Lute, Cither, Recorder, Violin, Bass Viol etc. by Ralph Griffin F. S. A., copied from R. Griffin's manuscript catalogue by A. F. Scholfield and D.N. Walker, written on slips in pencil. 157 folios.

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Antiphons and hymns with notation sung at chief festivals through the year in Florence Cathedral. Large artificial hand of the 18th Century with a later, rougher hand at p. 90v. 110 pages.