Scope and Contents 225 x 159 mm. A view looking over a harsh and rocky valley landscape. Frith comments: 'In the view we look down the valley in which the convent stands towards the Plain of Er-Raha. The scene is strangely desolate. In the immediate foreground, up to the convent walls, stretches an arid tract strewn with broken fragments of rock, some of which are of vast size, as we see by comparing them with the little encampment in front. The fortress-like convent rises finely in the distance, and...

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159 x 223 mm. A view showing the remains of part of the temple of Amon at Karnac with painted hieroglyphs on the standing walls and fallen pillars and debris littering the foreground.

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225 x 160 mm. A view showing the ruins of a gateway at Karnac built from large blocks of granite. Frith compares these ruins to the gateway seen in Y30214A/25: '... the present view represents an older, more massive, but less elegant and less elaborately sculptured, edifice which I have called the Granite Pylon, in consequence of its being, as I believe, the only existing extensive pylon-gateway constructed solely of that material.'

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162 x 227 mm. A view showing five of the pillars of the Great Temple with the smaller temple visible beyond.

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161 x 234 mm. A view showing five of the pillars of the Great Temple with the smaller temple visible beyond.

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156 x 223 mm. A view showing the six remaining columns of the Great Temple standing among the ruins.

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232 x 163 mm. A view showing the massive entrance to the temple of Horus at Edfu, with a group of Europeans standing at the base of the pylon on which are sculpted various scenes. The drifting sand, which in this print reaches to the top of the wall behind the pylon on which are sculpted various scenes, has subsequently been removed to leave a temple in a remarkable state of preservation.

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233 x 164 mm. A view showing an ancient Cedar, which Frith describes as : 'many-stemmed, fantastic, wide-spreading giant', in a grove of younger trees.

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227 x 158 mm. A view showing an ancient Cedar tree.

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225 x 157 mm. A view showing two of the still standing halls of the Memnonium (more properly the Ramesseum) with an Egyptian and a camel in the foreground.

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227 x 160 mm. A view looking along the city wall at the southern end of the city towards the mosque of Aksa, with the valley of Jehoshaphat and the Mount of Olives in the distance.

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233 x 165 mm. A view taken from near St. Stevens gate looking towards the pool of Bethesda, the mosque of Omar and Aksa (partially obscured by smoke from a chimney in the foreground) and with the houses of the modern city on the right.

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219 x 159 mm. A view looking along the city wall towards the dome of the mosque of Omar and 'El Haram-esh-Sherif', the Holy Sanctuary, with the houses of the city beyond. With wasteland and cactus in the left foreground.

Scope and Contents 235 x 158 mm. A view of the houses in the town and hills in the distance behind the church. The commentary reads: 'The annexed view exhibits one of the most interesting modern structures which claim the attention of the English visitor in Jerusalem: it is the Protestant Episcopal Church, with the British Consul's residence on the left and that of the mission on the right ... The interior, as well as the exterior of the church, is in the simplest and plainest style of Gothic architecture,...

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228 x 152 mm. A view looking along the shore of the sea with dead vegetation littering the beach.

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220 x 158 mm. A fine landscape photograph looking along the barren shores of the Dead Sea with bleached driftwood in the foreground and hills in the distance.

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231 x 162 mm. A view taken from near St. Stevens gate looking towards the pool of Bethesda, the mosque of Omar and Aksa (partially obscured by smoke from a chimney in the foreground) and with the houses of the modern city on the right.

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227 x 161 mm. A view from the tower of Hippicus looking on the pool of Hezekiah with the Church of the Holy Sepulchre in the background.

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232 x 158 mm. A view looking down on the pool of Hezekiah, enclosed on all sides by buildings (among them 'The Mediterranean' Hotel), with the domes of the Church of the Holy Sepulchre beyond.

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229 x 157 mm. A composition showing a profile of the Sphinx's head in the foreground with the pyramid beyond, and figures at the foot of the Spinx. According to Frith: 'The profile, as given in my view, is truly hideous'. This viewpoint occurs again and again in photographs of Gizeh pyramids, but it is interesting in that, when compared with a modern photograph of the same scene, it shows the degree of excavation that has been carried out in the area of the Sphinx.

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232 x 155 mm. A view showing the two vast seated statues of Amenophis III which were erected in front of the mortuary temple, now disappeared. In the foreground are two Europeans and an Egyptian. The central figure (leaning on a rifle) is identified in 'Creative Camera' (December 1979) in a similar, though not identical view, as being Frith himself.

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150 x 224 mm. A view showing a close up of the statues in a vertical formal. There is an European holding a rifle, and a camel, standing in the foreground.

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114 x 142 mm. A view looking through the eastern gate and along the cobbled street, with ramshackle houses lining the way.

Scope and Contents 219 x 156 mm. A view looking towards the summit of Gebel Moosa from a plateau on lower ground. Frith comments: 'The view is taken from the high irregular plateau from which rises the loftiest summit ... The perpendicular forms of the granite of the rounded height, utterly bared by the storms, rise grandly from the base, covered, like the lower region in the foreground, with washed-down fragments. Immediately before us is a deserted tract, among the loose stones of which grow prickly...

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227 x 155 mm. A view showing the imposing columns and ruins of the unfinished temple of Maharraka.