Letter from Edward Rosslyn Mitchell (138 West George Street, Glasgow, [Scotland]) to WSC conveying the request of the Paisley Art Club that he loan two of his paintings for their annual exhibition.

Letter from Charles Montag (72 Rue de Paris, Meudon, Seine et Oise, France) to WSC, arranging a date for himself and Paul Jameau to meet WSC, in order to discuss the exhibitions of works by Paul Cezanne and Camille Corot, for which WSC, CSC and the national museums of France will be acting as patrons.

Letter from Charles Montag (72 Rue de Paris, Meudon, Seine et Oise, [France]) to WSC, saying how pleasant his stay with him was, and how pleased he will be to come back. He needs to discuss the Paul Cezanne exhibition with WSC, and has already arranged to open the exhibition in London, then take it to Paris. Manuscript.

Letter from John Sargent (33 Tite Street, Chelsea [London]) to Lady Randolph [Churchill] in which he says that he would be willing to contribute a sketch to her "souvenir" and asks her whether she would like him to draw her. Signed manuscript. See also CHAR 28/137/9.

Letter from John Sargent (33 Tite Street, Chelsea [London]) to Lady Randolph [Churchill] discussing arrangements [to sketch her]. Signed manuscript. See also CHAR 28/137/7.

Letter from Jim Barnes (10 Embankment Gardens, Chelsea [London]) to Lady Randolph [Churchill] in which he apologises for not being able to have lunch with her, expresses his disappointment in the artistic work and sculptures of [Ivan] Mestrovic and recommends an exhibition by Marchand.

Letter from Sir Philip Burne-Jones (41 Egerton Terrace [London]) to Lady Randolph Churchill in which he apologises for not being able to come and see her as he is suffering from back pain. Illustrated with a self-portrait of him in bed and an illustration of a social occasion.

Letter from Sir Philip Burne-Jones (41 Egerton Terrace [London]) to Lady Randolph Churchill confirming arrangements to meet her. Illustrated with a drawing of a British officer holding up a German soldier with a bayonet and on the dorse an illustration of a mouse.

Letter from Sir Philip Burne-Jones (41 Egerton Terrace [London]) to Lady Randolph Churchill informing her that he enjoyed lunch with her. Illustrated with a drawing of a maid serving food.

Note from Sir Philip Burne-Jones to Lady Randolph [Churchill] illustrating a new fashion in "footwomens liveries" and asking whether it can be stopped. Illustrated.

Letter from Jacob Epstein to Lady Randolph [Churchill] in which he expresses his frustration at being sent back to the war after his convalescence and asks her whether she or WSC could use their influence with [Lord] Beaverbrook [earlier Sir Max Aitken, Minister of Information] to ensure that he could use his talents for propaganda purposes.

Telegram from [Lord] Beaverbrook [earlier Sir Max Aitken, Minister of Information] to Lady Randolph Churchill in which he says that he has failed to obtain the services of [Jacob] Epstein [in a position in which Epstein could use his talents for propaganda purposes] and says that he will discuss the matter with the War Office.

Telegram from [Jacob] Epstein (Crownhill, Devon) to Lady Randolph Churchill in which he says that he is in despair and asks her to do her best [to secure him a position in which he could use his talents for propaganda purposes].

Letter from Jacob Epstein (42nd Royal Fusiliers. C Company Crownhill, Plymouth [Devon]) to Lady Randolph [Churchill] in which he says that he is to remain in England; that he hopes that she will continue to try and use her influence to save him from "rotting away in the ranks" and secure him a position in which he could use his talents [he had suggested a role associated with propaganda]; and that he fears that opposition to this originates within his own regiment.

Includes: briefing for breakfast with Linbert Spencer, Chief Executive of Project Fullemploy and the PRISM group supporting social and economic development in the black community; briefing for and notes of a meeting with Arts for Labour on the new Arts and Media Ministry, including correspondence with Bill Owen, Chairman of Arts for Labour, on the Charter for the Arts (3).