Measuring 205 x 265 mm, this album contains 48 sepia photographs, each measuring 145 x 90 mm, two to a page, together with 22 loose prints of France and North Africa. The album prints have brief captions, and since they relate to Algiers, Biskra and a few of Tunis and Carthage, they may come from the same visit as Y304H.

Measuring 220 x 285 mm, this album contains postcards, some of which are coloured. The majority portray Algiers (including 12 of the museum), Algerian people, Biskra, and the ruins of Timgad, Constantine, Tunis and Carthage.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 205 x 265 mm, this album contains 48 sepia photographs, each measuring 145 x 90 mm, two to a page, together with 22 loose prints of France and North Africa. The album prints have brief captions, and since they relate to Algiers, Biskra and a few of Tunis and Carthage, they may come from the same visit as Y304H.

Twenty-one letters from Rice in Greece to his parents, 1910, many only partially dated and some incomplete, and one letter from Rice in Ireland to his mother, 1911. The letters are accompanied by three faded photographs of Tunis.

A diary describing Williams' journey to Africa and back, 138 pages. There are several references to other family travels.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.

Measuring 205 x 265 mm, this album contains 48 sepia photographs, each measuring 145 x 90 mm, two to a page, together with 22 loose prints of France and North Africa. The album prints have brief captions, and since they relate to Algiers, Biskra and a few of Tunis and Carthage, they may come from the same visit as Y304H.

Measuring 205 x 265 mm, this album contains 48 sepia photographs, each measuring 145 x 90 mm, two to a page, together with 22 loose prints of France and North Africa. The album prints have brief captions, and since they relate to Algiers, Biskra and a few of Tunis and Carthage, they may come from the same visit as Y304H.

Measuring 220 x 285 mm, this album contains postcards, some of which are coloured. The majority portray Algiers (including 12 of the museum), Algerian people, Biskra, and the ruins of Timgad, Constantine, Tunis and Carthage.

Measuring 175 x 215 mm, this album contains sepia photographs 170 x 115 mm in size. Album spaces 65 and 74 are blank. There are no captions, but some photographs can be identified as Tunis by comparison with postcards in Y304H. Others may be mentioned in the 1922 North Africa Diary (see Introduction), e.g. the Cathedral (p.7/plate 57), Carthage (pp.12ff/plate 59ff), camels (p.66/plates 83, 84), and Porte de France (p.78/plates 49-50), but no detailed research has been attempted.