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A view showing four men on a road in the park, with W.D. second from the right.

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A view showing four men standing on a wooden jetty with WD on the right.

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Also described as: 'The Roaring Forties and Australia 1908'.

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A view from the ship showing part of the Circular Quay, with Tiser's Wharf at the right.

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A view showing the statue of Captain Cook in Hyde Park, erected in 1879.

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A view showing the 'Mersey', a three-masted sailing vessel, moored to a wharf in Sydney Harbour.

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A view looking east from the Botanic Gardens towards a ship anchored in Woolloomooloo Bay.

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A view from the Botanic Gardens looking towards a sailing ship moored on the far side of Woolloomooloo Bay.

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A view looking across Woolloomooloo Bay towards wharves on the far side.

Scope and Contents Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents

266 x 216 mm. View looking across George Street towards the east façade of the Bank of Australasia, designed in classical style by Edmund Blacket in 1857-58. The Jamieson Street corner is in the left foreground. The building is of three storeys and five bays, with a rusticated ground floor and quoins, and with pediments above the arched windows on the first floor. The premises of George Loxton and Co. (? printers), can be seen to the north towards the junction with Charlotte Place.

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282 x 209 mm. View looking up along the south side of Bathurst Street, from the junction of Bathurst Street and Sussex Street. In the right foreground at 295 Sussex Street, at the junction with Bathurst Street, is the independent Methodist Chapel, a two storey brick building with stepped gables facing onto Bathurst Street. Further down the street is the small Kerosene Oil Depot.

Scope and Contents

264 x 210 mm. View from the junction of Bathurst Street and Sussex Street looking west, with the southernmost tip of Darling Harbour visible at the end of the street. In the left foreground on the corner is Reuben C. Jacobs' Robert Burns Hotel and, a few doors down along Bathurst Street, the premises of John Phillips and Co., coal and wood merchants and contractors.

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286 x 211 mm. View looking up along Bathurst Street West from an unidentified junction. In the right foreground on the corner is William Lang's Sir Walter Scott Hotel and a few doors up, John Harkness's Bell Foundry.

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Landscape format.

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents From the Sub-Fonds: Fifty-three undated watercolours intended as bookmarks, each 200 x 45 mm in size, sold by John Sands of Sydney as indicated by stickers pasted onto the reverse. The images are of birds, with the exception of two koala bears, two kangaroos and one opossum. The vast majority are the work of three authors, signed Artah, M. Simpson and Koddi. Artah is Violet Artah Bartlett, an artist specialising in Australian ornithology who worked in Sydney during the 1920s. It has proved impossible as yet...

Scope and Contents 280 x 225 mm. A view along one of the paths in the garden, with a suited man sitting on the lawn in the foreground. The origins of the Botanic Gardens go back to 1787 when Governor Phillip on his way to New South Wales collected seeds at Rio de Janeiro, and on landing in 1788 set up a farm and garden at Farm Cove. The farm proved a failure but the garden continued and after 1796 was retained as Government property. In 1869-70 the harbour frontage was reclaimed and the garden now occupies...

Scope and Contents

280 x 225 mm. A view of a wooden thatched shelter in the gardens, with a boy standing in front. Government House can just be discerned behind the hut.