Scope and Contents

205 x 153 mm. A view looking across the Great Royal Lake, with the spire of the Shwe Dagon Pagoda visible in the distance. Photograph by Watts and Skeen.

Scope and Contents

273 x 216 mm. View of a reclining Buddha and two other carved images in a temple (probably the Shwe Dagon) in Rangoon. Photographer unknown, probably Watts and Skeen or J. Jackson.

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents

208 x 271 mm. View of a shrine, similar in shape to the Shwe Dagon Pagoda but on a much smaller scale. Photographer unknown, probably Watts and Skeen or J. Jackson.

Scope and Contents

274 x 215 mm. View showing a road in the precincts of Shwe Dagon Pagoda, lined with shrines and smaller temples. Photographer unknown, probably Watts and Skeen or J. Jackson.

Scope and Contents

272 x 209 mm. View showing a road in the precincts of Shwe Dagon Pagoda, lined with shrines and smaller temples. Photographer unknown, probably Watts and Skeen or J. Jackson.

Scope and Contents 100 x 132 mm. Showing the massive 368 foot spire of the Shwe Dagon Pagoda, situated on a hill overlooking Rangoon. The original date of foundation of the temple is lost in myth, but the buildings assumed their present form in the 1560s. A pencilled annotation on the reverse of the print includes the additional phrase 'from North entrance'. The ink annotation on the reverse states 'Photo by J. Jackson, Rangoon'. The date attribution is based on the following observations: the Shwedagon...

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents

151 x 101 mm.

Scope and Contents

271 x 215 mm. View of the spire of the Shwe Dagon Pagoda in Rangoon. Photograher unknown, probably Watts and Skeen or J Jackson.

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents

79 x 55 mm.

Scope and Contents Contains prints, of an approximate size of 80 x 100 mm, mounted on card, six to a page, in a padded black leather album inscribed on the cover India 1905-06 from C.C. and 'Photographs taken by Sir Charles Cust Bt. 1905-06' is written on the fly leaf in Queen Marys hand. Sir Charles Cust took this collection of amateur photographs while accompanying the Royal Party. Most of the photographs have elegant hand-written captiions, but these are not always very explicit - some portraying...

Scope and Contents From the File: Contains prints. This appears to have been an official record of the Royal Tour. Each page has a heading for the place and date and most photographs are captioned, probably by a professional calligrapher. The Prince of Wales Feathers are on the cover and 'The Royal Tour of India 1905-1906' on the spine. Locations and periods covered are: Bombay, 9 November- 14 November, 1905; Udaipur, 18 November - 29 November, 1905; Jaipur, 21 November-23 November, 1905; Lahore, 28 November-1...

Scope and Contents From the Fonds: This collection is mostly of albumen prints of photographs taken in Burma [Myanmar] in the later nineteenth century. Many are captioned and the captions have been used as titles and have been recorded as found. Titles supplied by the cataloguer are enclosed in square brackets. Many photographs have been identified as the work of Felix Beato. All of these photographs belonged to Rodway Swinhoe (1863-1927), who may have bought them after the closure of Beato's emporium in Mandalay c.1906. On...

Scope and Contents

Teak yards with elephants at work.

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents

Teak yards with elephants at work.

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents

Teak yards with elephants at work.

Scope and Contents From the Fonds: This collection is mostly of albumen prints of photographs taken in Burma [Myanmar] in the later nineteenth century. Many are captioned and the captions have been used as titles and have been recorded as found. Titles supplied by the cataloguer are enclosed in square brackets. Many photographs have been identified as the work of Felix Beato. All of these photographs belonged to Rodway Swinhoe (1863-1927), who may have bought them after the closure of Beato's emporium in Mandalay c.1906. On...

Scope and Contents

Made of wooden framework and coloured papers, Rangoon.

Scope and Contents From the File: Contains prints. This appears to have been an official record of the Royal Tour. Each page has a heading for the place and date and most photographs are captioned, probably by a professional calligrapher. The Prince of Wales Feathers are on the cover and 'The Royal Tour of India 1905-1906' on the spine. Locations and periods covered are: Bombay, 9 November- 14 November, 1905; Udaipur, 18 November - 29 November, 1905; Jaipur, 21 November-23 November, 1905; Lahore, 28 November-1...

Scope and Contents From the File: Contains prints, of an approximate size of 80 x 100 mm, mounted on card, six to a page, in a padded black leather album inscribed on the cover India 1905-06 from C.C. and 'Photographs taken by Sir Charles Cust Bt. 1905-06' is written on the fly leaf in Queen Marys hand. Sir Charles Cust took this collection of amateur photographs while accompanying the Royal Party. Most of the photographs have elegant hand-written captiions, but these are not always very explicit - some portraying...