Scope and Contents

Quarter-plate (landscape format). Second Europa Advance Battery. [Showing Rock coming out of the sea and walls in the foreground].

Scope and Contents From the File: The album now contains photographs numbered in the range 6001-6177 (originally there were 169). Added number is: 6111A; not used: 6023, 6026, 6055, 6056, 6058, 6063, 6079, 6098 and 6155; missing: 6002, 6033, 6046, 6095, 6096 and 6154. Subjects covered in the album are: Gibraltar: from the sea; buildings and general; Alameda Gardens and Parade Ground; Catalan Bay; 2nd Battalion Bedfordshires on Parade; Rock apes; Europa; Rock galleries; schools.Malta: harbour scenes;...

Scope and Contents From the Sub-Series:

Collection of loose tinted postcards showing various views in Gibraltar.

Scope and Contents

Quarter-plate (landscape format). [Building to left, Rock in centre back and cactus trees to the right].

Scope and Contents

213 x 158 mm. A general view of the Rock from the British Lines, showing the sheer North Face at the left of the print and the town and Moorish Castle in the distance on the right.

Scope and Contents From the Sub-Series:

Loose miscellaneous monochrome postcards (original photographs). Published by Beanland, Malin and Co. (23-28, 36-52), Real Photo Production (29-30), unknown (31) and L. Sacarello (32-35).

Scope and Contents

Quarter-plate. [Not showing building on the left of previous picture].

Scope and Contents

Half-plate (landscape format). [Nun blurred].

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Quarter-plate.

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Half-plate (landscape format). [A large group of smaller girls with a nun standing by them in a classroom].

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Quarter-plate.

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Quarter-plate. [Pictures of a nun with two smaller groups].

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Quarter-plate. [Pictures of a nun with two smaller groups].

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120 x 175 mm. A view looking north-east from the Signal Station down onto the bay below.

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'A draught of the Spanish Line drawn across the Isthmus of Gibraltar, from sea to sea, 1600 yards from Willis's Battery. With a prospect of the fortifications of the garrison which lye nearest to it, and so much of the Bay as discovers the anchoring place, which the Spaniards propose to annoy by their new battery at the west end of the line', printed by J. Watson, London.

Scope and Contents

Half-plate. Monument erected by money obtained by stopping one days pay from the Garrison. [Showing Bust on a pillar with cannons below. Man in uniform and woman in hat and long black skirt looking up at the bust with trees in the background].

Scope and Contents From the Fonds: A collection of albums, containing captioned black and white photographs, taken by one, or more, people travelling in the same group. The albums form a photographic account of a six-month long touring holiday.Of the albums, the first ten are all of the same style and manufacture and each has an embossed title on the front. They follow the journey chronologically. The remaining two contain a smaller selection of images from the same journey, again in chronological order. They are...

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents

203 x 151 mm. Showing a woman posing beside her laden donkey, with three figures standing in the background.

Scope and Contents

203 x 156 mm. Showing a vegetable seller and his laden donkey posing for the camera.

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...

Scope and Contents From the Fonds: This is a collection of art work created by the Royal Engineer Edward Charles Frome (1802-1890). In 1929 Frome’s surviving daughter, Mrs Frank Wynne, presented some of the South Australian drawings to the Royal Empire Society through the good offices of Sir Harry Wilson, to whom she bequeathed the rest of the collection. He presented it to the society in 1931. The majority of Frome’s individual watercolours and drawings, varying in size from 250 to 450 mm, were then housed in eight...