Scope and Contents From the Series:

An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.

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Half-plate (landscpae format). From the platform of the Jamma Masjid, Lucknow.

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Half-plate. White marble spandrils but white plaster inside: most of the building red standstone.

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Half-plate.

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Quarter-plate (landscape format). Marble lattice work. (Fisher).

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Sub-Series: Monochrome postcards. The geographical locations of the cards, together with their publishers, breakdown thus:1-9 Calcutta (various anonymous publishers)10-57 Agra (K. Lall and Co.)58-59 Benares (also known as Varanasi - Saeed Bros.)60-75 Lucknow (Omaid Singh and Sons)76-91 Delhi (Lal Chand and Sons, Dariba, Delhi)92-123 Lahore and Amritsar (Punjab Religious Book Society, Lahore)124-129 Burma130-135 Ceylon (now Sri Lanka) coloured (Plate and...

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240 x 150 mm. The Baradari is in the centre; the square is surrounded by the town houses of taluqdars, or estate holders of Oudh.

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Half-plate. A copy of a sacred place in Baghdad.

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Half-plate (landscape format).

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Half-plate (landscape format).

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Quarter-plate.

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Quarter-plate.

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Quarter-plate.

Scope and Contents From the Series:

An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents

240 x 150 mm. As Constantia, it was built to the designs of Claude Martin, a former French officer who later served the East India Company

Scope and Contents From the Series: An album, labelled on the spine, containing prints of various sizes. The prints are of two types; large professional photographs, chiefly of Benares, Delhi, and Agra, and smaller amateur prints. presumably by Davies, relating both to these places and to Kashmir - river and mountain scenes. These are chiefly on left hand pages, with professional photographs on the right, and are captioned. Towards the end of the album, after a series of Agra scenes, there is a group of interesting...

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

Scope and Contents From the File: Contains prints varying in size from approximately 50 x 80 mm to 290 x 249 mm. Captions are handwritten by the Prince of Wales. This records the visit to India of the Prince of Wales (later King George V) and Princess Mary. The front cover is embossed with India 1905-6. Locations depicted include Bombay, Indore, Udaipur, Jaipur, Bikaner, Gajner, Lahore, Peshawar, Rawalpindi, Delhi, Agra, Gwalior, Lucknow, Calcutta, Burma, Madras, Hyderabad and Mysore. There are prints of the arrival of...

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Tawny yellow-gray sandstone, and the used portion brilliant with whitewash.

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102 x 77 mm. An aerial view of the mosque.