263 x 204 mm. View looking down on the ornamental lake, with a bridge in the foreground leading to an island crowded with buildings. Photograph probably by Kusakabe Kimbei.

201 x 265 mm. Studio portrait of an aged priest carrying what appears to be a length of wood with a number of pieces of paper attached.

269 x 109 mm. View looking up a long flight of stone steps towards the entrance of the Temple of Hachiman. The note beneath the print records that the icho tree at the left is 1200 years old.

262 x 199 mm. View looking towards the torii, or free-standing entrance arch to the temple, with shrines visible in the grounds beyond.

221 x 176 mm. Full length portrait showing a girl asleep on the floor of a room with her head resting against a wooden pillow.

Original glass negatives measuring 164 x 122 mm by Sir Henry Norman. Some of the negatives are accompanied by handwritten captions. Views shown are of French Indo-China [Vietnam], China, Malaya [Malaysia], Siam [Thailand], Korea and Japan.

255 x 375 mm. A series of eight drawings portraying the sowing of tea seeds, the cultivation of the plant, and the picking, sifting, separating, rubbing and cooling of the leaves after steaming in Japan.

260 x 200 mm. View looking across an ornamental lake or stream towards European houses in a snow covered landscape. The Bluff Gardens were situated in the southern part of Yokohama.

241 x 195 mm. Unidentified street scene with snow. Photograph probably by Kusakabe Kimbei.

67 x 108 mm.

A view from the deck of the 'Indrawadi' showing the pilot climbing over the side into a rowing boat.

82 x 82 mm. glass slides with brief, largely undated captions.

Colour.

193 x 216 mm. View of the carved image of the seated Buddha, with a man kneeling at prayer before it.

270 x 208 mm. General view looking along an unidentified street.

269 x 206 mm. Duplicate in monochrome of Y3077C/68.

249 x 192 mm. View looking along a street decorated with paper lanterns.

These notes chronicle Bell’s retirement in Cannes, his interests, social life and personal affairs, and his frequent travels, including an extensive tour of the Far East during 1925-26 to examine French and Dutch methods of colonial government (circa 80 sheets).

265 x 206 mm. View looking along a roughly paved path running through woodland, with two Japanese figures in the foreground.

205 x 264 mm. Rear view of a Japanese man with elaborate tattooed scenes on shoulders, back, buttocks and thighs.

239 x 186 mm. Full length studio portrait entitled 'Miko' showing two of the dancers in their robes. Photograph probably by Kasakabe Kimbei.

191 x 211 mm. Close up view of a temple carving, similar in style to the figures seen in Y3039A/32-33. Photographer unknown.

261 x 210 mm. View of gateway and entrance to the temple.

82 x 82 mm. glass slides with brief, largely undated captions.

240 x 193 mm. Studio portrait of three Japanese girls grouped in and around a wooden bath tub. Photograph probably by Kusakabe Kimbei.