United Kingdom (nation)
Found in 3777 Collections and/or Records:
Manorbier Castle, 1950
52 x 44 mm. A view of the castle and the road leading up to it.
Map of Limehouse, 1927 - 1937
An undated sketch map of Limehouse and district at the time when Frederick Young lived there, 1800-1850. The map shows the sites of different places of interest that are mentioned in Ethel Young's memoir and how the district was before the commercial road and other changes were made.
Margaret Fraser's India letters: a young wife and mother corresponds with her family in Scotland, 1820-1826
Marlborough Downs, 1949-08
125 x 80 mm. General view of a sloping hill and fields in the distance.
Marlborough Downs, 1949-08
125 x 80 mm. Showing a woman stood at a gate with her back to the camera, looking across a field towards a line of trees
Marlborough Downs, 1949-08
125 x 80 mm. A view of trees in the foreground and an expanse of fields behind.
Marlborough Downs, 1949-08
125 x 80 mm. Showing a woman sat on a gate with her back to the camera, looking towards a sloping hill and fields beyond.
Marriage à-la-mode, Plate 1, the Marriage Settlement, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode, Plate 1, the Marriage Settlement, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 2, the Tête à Tête, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 2, the Tête à Tête, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 3, the Inspection, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 3, the Inspection, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage a-la-Mode: Plate 4, the Toilette, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage A-la-Mode: Plate 4, the Toilette, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 5, the Bagnio, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 5, the Bagnio, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 6, the Lady's Death, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 6, the Lady's Death, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Married officers quarters, R.M. Barracks, Stonehouse, Plymouth, 1880 - 1896
153 x 101 mm. General view of a married officer's quarters at the Royal Marine Barracks, Stonehouse, Plymouth.