Europe (continent)
Found in 4596 Collections and/or Records:
(Same as 5246) [Warping from the bobbins in the beam, at Hollinshead Mill, Blackburn], 1909
Quarter-plate. [Same view with different exposure].
(Same as 5268) [ Work people leaving the mills for dinner : Roe Lee Mills, Blackburn], 1909
Quarter-plate [Workers walking along the street with tram lines in the road and a horse and cart in the foreground].
(Same as 6117). [Birds of prey caught in Malta], 1909-10 - 1909-11
Half-plate (landscape format). [A slightly clearer picture taken from the same view].
Same bird on post, 1962
Contains slides obviously taken on the same visit as B since the numbers inter-relate with the original numbers of 72-75 in that list. These comprise 29 Kodachrome slides printed in England undated, 4 Ektachromes and one in a grey and red Photopia frame. They are not captioned or numbered by John Ewart Marnham and arranged by processing number.
Same, from other end, showing 50 ton crane, 1909
Half-plate (landscape format).
Same house , 1903
200 x 150 mm. A 1700 engraving showing the house depicted in Y3022BBB/33.
(Same) [The auld Brig o'Doon, and Burns' Monument], 1909
Quarter-plate. [View through shrubs and trees to the bridge with the circular Burns' Monument just visible in the distance].
(Same) [The auld Brig o'Doon, and Burns' Monument], 1909
Quarter-plate. [View through shrubs and trees to the bridge with the circular Burns' Monument just visible in the distance].
[Samuel Pepys, 31 foot sloop, 3rd in class C, Blue Water Classic 1852], 1952
150 x 205 mm. The caption on the reverse of the print reads: ' Smallest of 58 entries: The British 31-ft sloop Samuel Pepys, skippered by Lieutenant Commador Erroll Bruce, R. I. , to the non-American yacht with best corrected time. The sturdy little craft was third in class 'C'. Blue Water Classic - 1852 No. 5'. The reverse is also stamped with Bermuda News Bureau, and the photographer's name.
San Domenico, Taormina, May 27, 1925 - 1927
82 x 104 mm.
San Remo, 1872
343 x 233 mm.
San Sebastian, Spain, 1908
An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.
San Sebastian, Spain, 1908
An album, labelled on the spine, containing prints of various sizes. The numbering is sequenced from 1 to 131, but 101 is omitted. 14 of these prints are loose (118-131) , and are kept in a separate envelope in the album. Some of the prints are good quality professional work. Some of the photographs are captioned in ink; in other cases the titles have been derived from duplicate copies in Davies' other Indian album or from other photographs of the same scenes.
Sandhurst Lodge, 1950-08
125 x 80 mm. Two young girls and a dog sat on a blanket.
Sandhurst Lodge, 1950-08
125 x 80 mm. Two young girls and a dog sat on a blanket.
Sandown, I.o.W [Isle of Wight], 1909
Quarter-plate (landscape format). [View of pier and town beyond].
Sandrock Hotel, near Niton, Isle of Wight, 1837
Sandy Bay, 1866
Sandy Bay, 1866
Sandy Island, from Upper Town, 1858
Frome's original sketches of Kingston, Ontario, Canada, numbers 187, 189-91 and 196 were sold to the Agnes Etherington Art Centre, Queen’s University, in 1975. Photographs of these sketches are stored at RCMS 40/3/15-19. Glass plates which had been made from several of Frome’s drawings of the Rideau Canal (missing when the collection arrived in Cambridge) have been reproduced on Cambridge Digital Library as Y3062T.
Sandy Island, Heligoland, 1856
Sanndnesjöen, June '24, 1924-06
105 x 80 mm.
Sans Souci, June '23, 1923-06
100 x 75 mm.
Sans Souci. Potsdam, 1923
107 x 82 mm.
[? Santa Cruz Harbour, Tenerife], 1900
220 x 169 mm. A view looking along a wharf towards the harbour and distant mountains. The wharf itself is a scene of busy activity with winches in operation and unloaded sacks piled on the quayside. Photograph by Jordao da Lux Perestrello (sic).