Europe (continent)
Found in 4596 Collections and/or Records:
Marken, Easter '23, 1923
70 x 45 mm.
Marken, Good Friday '23, 1923
65 x 45 mm.
Market on Sunday in Strada Mercante, Valetta, 1909-10 - 1909-11
Quarter-plate. Looking west: many stalls selling almanacs, books of magic, old rope and metal, etc. [A narrow crowded street].
Market on Sunday, Strada Mercante, 1909-10 - 1909-11
Quarter-plate. Looking east.
Marlborough Downs, 1949-08
125 x 80 mm. General view of a sloping hill and fields in the distance.
Marlborough Downs, 1949-08
125 x 80 mm. Showing a woman stood at a gate with her back to the camera, looking across a field towards a line of trees
Marlborough Downs, 1949-08
125 x 80 mm. A view of trees in the foreground and an expanse of fields behind.
Marlborough Downs, 1949-08
125 x 80 mm. Showing a woman sat on a gate with her back to the camera, looking towards a sloping hill and fields beyond.
Marnham collection
Marriage à-la-mode, Plate 1, the Marriage Settlement, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode, Plate 1, the Marriage Settlement, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 2, the Tête à Tête, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 2, the Tête à Tête, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 3, the Inspection, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 3, the Inspection, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage a-la-Mode: Plate 4, the Toilette, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage A-la-Mode: Plate 4, the Toilette, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 5, the Bagnio, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 5, the Bagnio, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 6, the Lady's Death, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 6, the Lady's Death, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Married officers quarters, R.M. Barracks, Stonehouse, Plymouth, 1880 - 1896
153 x 101 mm. General view of a married officer's quarters at the Royal Marine Barracks, Stonehouse, Plymouth.
[Marsa Creek at the head of Grand Harbour], 1882 - 1900
295 x 215 mm. Sailing ships are seen at anchor, and a somewhat blurred carozzin is moving across the foreground.
Marsamuscetto Curtain, Malta, 1898 - 1901
255 x 220 mm.
[Marsamxett Harbour and Valletta], 1882 - 1900
295 x 240 mm. A clear view showing the fortifications and buildings of Valletta, perhaps taken from Manoel Island.