A view of a ruin (possibly a British army fort), looking over the sea to another Island. Exact location unknown.

167 x 115 mm.

167 x 115 mm.

68 x 79 mm. View from Malaya House looking across Trafalgar Square and down Northhumberland Avenue, with part of the Coronation procession in the foreground.

Quarter-plate (landscape format). [With tug in foreground].

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

Quarter-plate (landscape format). Showing the Santa Barbara bastion: Valetta, Malta.

An albumen print, mounted on card, measuring 206 x 138 mm, captioned 'St Helena' on the mount. The view looks down from the steep hillside at the summit on which the barracks were built, and shows the buildings lining Main Street which leads into the Grand Parade. At the edge of the Parade is St James' Church, with the Castle on the further side. The Esplanade, with the Harbour beyond, is at the left of the print.

152 x 107mm. Showing an informally posed group of islanders facing the camera with the village of Killani in the background.

An undated print of an engraving by Johan Peeters described in pencil as 'a 17th century picture of the country in which the American army are now operating'.

161 x 112 mm. View of the harbour and waterfront at Monaco. HHB was in Monte Carlo in April 1919.

152 x 107mm. Showing crowds of islanders gathered round a pit in which a large dog stands. Macdonald's letter adds ‘The officer in a helmet in the centre is Inspector Spencer. The Omodos Monastery is the large building in the background. The dog in the foreground is the only mastiff here’. Inspector Cyril Spencer can be traced in the Cyprus Almanacs up until 1905 when members of the Police Force ceased to be individually listed.

Quarter-plate (landscape format). To the left the Victoria and Albert: in the distance, the Alberta, Queen Victorias yacht which carried her body from Cowes, in front a torpedo gunboat. [Enterprises stern near left].

302 x 87 mm. A panoramic view showing Reid's Palace Hotel at the left of the print and small terraced fields growing various crops in the foreground. Photograph presumably by Christy.

Album of mostly 80 x 54 mm prints. There is a brief list describing items 1-98, which document the trip from Southampton to South Africa, travel in South Africa, and the visit to Southern Rhodesia. Many photos do not appear in the exact numerical order given in the listing. The rest of the images are uncaptioned, but their general locations have been identified by reference to the diary RCMS 353/1.

Quarter-plate (landscape format). [View across stone walls].

160 x 115 mm.

76 x 97m. Showing the entrance to the Konak, the old 16th-century palace in the north-western part of Nicosia. The rest of the building was destroyed during the British occupation and the building finally pulled down in 1904 to make way for a new palace, courthouse and government offices.

An undated print of an engraving by G. Child consisting of two figures, 'View of the Pike of Teneriffe' and 'View of the Pike over the west side of Gomera',' Pl. 147, No. 86, Vol. 2, p. 353'.

An undated print of an engraving by G. Child, 'Pl. 146, No. 85, Vol. 2, p. 352'.

The caption on the reverse reads: '1. A corner of the exhibit, showing ivory, pottery and basket work. The basket work is very fine, and the pottery is unique owing to its burnished appearance'.

195 mm x 190 mm. The caption on the reverse reads: ' In spite of its date, the house manages to achieve dignity, proportion, and comeliness, aided by local architectural detail of chimneys, stepped roof, and welcoming arms steps.' There are two handwritten comments, in black ink, on the reverse: 'Sovay (?) No. 2' and 'No. 1 to overlap No. 2.' It is not known what this refers to, as there is no photograph numbered '2' in this collection.

A view of a building with a stepped, white-washed roof. There is a stamp on the reverse giving the photographers name and details.