England (country)
Found in 2304 Collections and/or Records:
Malvern Abbey, visited 16/4/85, 1885-04-16
111 x 154 mm. General exterior view of Malvern Abbey.
Manchester Branch Records, 1917 - 1923
The branch was formed on 1 Mar. 1917 and was closed in 1923. The archives include minutes and correspondence.
Manchester Royal Exchange, 1909
Half-plate. [Royal Exchange seen across cobbled road with tram lines].
Mandara Barracks and Clocktower of the Cambridge Hospital behind, 1909
Quarter-plate (landscape format).
Marlborough Downs, 1949-08
125 x 80 mm. General view of a sloping hill and fields in the distance.
Marlborough Downs, 1949-08
125 x 80 mm. Showing a woman stood at a gate with her back to the camera, looking across a field towards a line of trees
Marlborough Downs, 1949-08
125 x 80 mm. A view of trees in the foreground and an expanse of fields behind.
Marlborough Downs, 1949-08
125 x 80 mm. Showing a woman sat on a gate with her back to the camera, looking towards a sloping hill and fields beyond.
Marriage à-la-mode, Plate 1, the Marriage Settlement, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode, Plate 1, the Marriage Settlement, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 2, the Tête à Tête, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 2, the Tête à Tête, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 3, the Inspection, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 3, the Inspection, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage a-la-Mode: Plate 4, the Toilette, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage A-la-Mode: Plate 4, the Toilette, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 5, the Bagnio, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 5, the Bagnio, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 6, the Lady's Death, 1880 - 1902
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Marriage à-la-mode: Plate 6, the Lady's Death, 1888 - 1891
Reproductions of prints by the English artist. The slide containing Plate 3 of The Harlot's Progress is missing. The collection also includes an engraving of Henry Fuseli's painting Midsummer Night's Dream: Act IV, Scene 1
Married officers quarters, R.M. Barracks, Stonehouse, Plymouth, 1880 - 1896
153 x 101 mm. General view of a married officer's quarters at the Royal Marine Barracks, Stonehouse, Plymouth.
Martlesham. April 1919, 1919-04
45 x 65 mm. A view of the aerodrome at Martlesham Heath, taken from a stationary aeroplane, with another aeroplane and buildings in the far background.
Martlesham, April 1919, 1919-04
45 x 65 mm. A view inside a hanger of an aeroplane at Martlesham Heath.
Mary Ward with Dr Elliott at Merrow, c. 1950, 1950
60 x 85 mm.
Meeting in Commonwealth Hall viewed from the gallery, 1979 - 1980
35 mm. transparency.